Disappearing Persons: Shame and AppearanceSUNY Press, 1. 1. 2002. - 192 страница In Disappearing Persons, psychoanalyst Benjamin Kilborne looks at how we control appearance as an attempt to manage or take charge of our feelings. Arguing that the psychology of appearance has not been adequately explored, Kilborne deftly weaves together examples from literature and his own clinical practice to establish shame and appearance as central fears in both literature and life, and describes how shame about appearance can generate not only the wish to disappear but also the fear of disappearing. A hybrid of applied literature and psychoanalysis, Disappearing Persons helps us to understand the roots of the psychocultural crisis confronting our increasingly appearance-oriented, shame-driven society. |
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... child in Paris , provided me with contrasts that I have yet fully to understand . While Paris never ceases to amaze me with its beauty and the density of human experiences and associations , Los Angeles lives on illusions and chimera ...
... child in Paris , provided me with contrasts that I have yet fully to understand . While Paris never ceases to amaze me with its beauty and the density of human experiences and associations , Los Angeles lives on illusions and chimera ...
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... child , with the shame of his Oedipal vic- tory ( killing his father and sleeping with his mother ) , and with the resounding defeat implicit in his inability to slay the monster of the plague and so demonstrate to the people of Thebes ...
... child , with the shame of his Oedipal vic- tory ( killing his father and sleeping with his mother ) , and with the resounding defeat implicit in his inability to slay the monster of the plague and so demonstrate to the people of Thebes ...
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... child cobbles together a sense of himself and the world . And where his mother fails to provide the child with the necessary comfort and security , the child fantasizes the circumstances under which she might give him what he needs ...
... child cobbles together a sense of himself and the world . And where his mother fails to provide the child with the necessary comfort and security , the child fantasizes the circumstances under which she might give him what he needs ...
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Садржај
The Contempt of the Queens Dwarf | 9 |
Asclepius the Tall Man and Little People | 10 |
Brobdingnag and Lilliput | 13 |
Large or Small We Are Only By Comparison | 14 |
Literary Littleness and Miniaturization | 15 |
Amplification and Defenses Against Diminishment | 16 |
Size Symbolism and Fantasized Measurement | 17 |
Clinical Variants | 18 |
Of Disguises Mechanisms and Music Boxes | 77 |
Everyone Has His Reasons | 78 |
Deceit Denial Honor and the Rules of the Game | 80 |
Satan Shame and the Fragility of the Self | 83 |
Sins Out and Outs Sin | 84 |
The Garden of Eden | 85 |
Shame and Innocence | 86 |
Kierkgaard Dread and the Self So Easily Lost | 87 |
The Shape of Experience and Fantasies of Size | 21 |
Fantasy Anguish and Misconstrual | 25 |
Shame and Oedipal Defeat in the Analysis of Sam | 27 |
The Heartbreaking Curiosity of the Blind | 33 |
A Hole in a Paper Sky Deceit and Remedies by Still More Deceit | 37 |
Shame and Aidos | 38 |
the Analysis of Mark | 39 |
Deception Outrage and the Remedy by Even More Deceit | 41 |
The Vain Invention of the Onlooker | 43 |
What Do You See Me to Be? Invisibility and Performance | 45 |
Adam | 46 |
Adam Graham Greene and Kim Philby | 48 |
Oedipal Shame Spies and Fantasy | 51 |
Recognizing Choice | 52 |
Loss Disappearance and Rage | 53 |
The Hunger Artist | 55 |
A Shamed Violinist Plays to a Lion | 56 |
Shame and Creativity | 59 |
I Cant See Im Invisible | 61 |
The Analysis of Susan | 63 |
Do You Want Me To Be Someone Else? | 65 |
Peekaboo Disappearance and the Game of the Bobbin | 66 |
I Am Invisible I Cant See Myself | 68 |
Seeing Being Seen and Matters of Privacy | 69 |
What the Camera Sees The Tragedy of Modern Heroes and The Rules of the Game | 73 |
Free Association and Open Form | 75 |
Shame Deception and Despair | 88 |
He Who Sheds Shame Sheds Himself | 89 |
Narcissus and Lady Godiva Lethal Looks and Oedipal Shame | 93 |
Looking Narcissus and Narcissism | 94 |
Freud Looking and Psychoanalytic Theories of Narcissism | 96 |
Narcissistic Pain Looking and Mirrors | 99 |
Freuds SelfPortrait | 101 |
A Painter and A Stripper | 104 |
Looking and the Transference | 106 |
Of Fig Leaves Real and Imagined | 109 |
Freud and Exhibitionism | 110 |
How Conscious is Fashionconsciousness | 111 |
Plastic Surgery and ConFormity | 113 |
Clothe the Naked | 114 |
These Weeping Eyes Those Seeing Tears Trauma Mourning and Oedipal Shame | 119 |
Ferenczi and Freud | 121 |
Uncontrollable Ears and the SocialPolitical Context of Oedipal Shame | 122 |
Appearance and Connivances | 124 |
Samson Agonistes | 125 |
Shame Disappearance and Trauma | 126 |
And a Tear Shall Lead the Blind Man | 129 |
Notes | 133 |
References | 165 |
181 | |
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abandoned Adam and Eve analyst appearance anxiety ashamed attempts become blind body image Brobdingnag characters Chesnaye child clinical clothes conscious context danger deceit defense depends describe despair disappear dream ego ideal Ersilia exhibitionism experience express eyes fantasies fantasies of invisibility father feel felt Ferenczi film Freud Graham Greene guilt Hegel helplessness hide human humiliation hunger artist Ibid ideal illusion imagine infant Jurieu Kierkegaard Kilborne Lady Godiva Late Mattia Pascal live look loss Ludovico Luigi Pirandello Mattia mirror mother mourning narcissistic Narcissus never notion object Octave Oedipal conflicts Oedipal defeat Oedipal shame one's oneself pain parents patient perception person Philby Pirandello play Ponza psychic psychoanalytic rage reality recognize relation rely Renoir repression response scopophilia Secret seen sense shame dynamics social someone speaking story struggle superego Susan symbol theme things tion trauma unconscious understand violinist wish writes