The Language of Comics: Word and ImageRobin Varnum, Christina T. Gibbons Univ. Press of Mississippi, 2001 - 222 страница |
Из књиге
Резултати 1-5 од 40
Страница iv
... America 09 08 07 06 05 04 03 02 01 432 I Library of Congress Cataloging - in - Publication Data The language of comics : word and image / edited by Robin Varnum and Christina T. Gibbons . p . cm . ( Popular culture series ) Includes ...
... America 09 08 07 06 05 04 03 02 01 432 I Library of Congress Cataloging - in - Publication Data The language of comics : word and image / edited by Robin Varnum and Christina T. Gibbons . p . cm . ( Popular culture series ) Includes ...
Страница ix
... specialized features as word balloons , zip ribbons , and even the panel frames which enclose scenes or segments of a narrative — can be manipulated with great sophistication . Throughout Europe and Latin America Introduction.
... specialized features as word balloons , zip ribbons , and even the panel frames which enclose scenes or segments of a narrative — can be manipulated with great sophistication . Throughout Europe and Latin America Introduction.
Страница x
... America , and in Canada and Japan , comic books and comic strips are regard- ed as serious artistic and cultural ... American critics have yet looked at comics as a site where words and images intersect . We hope with the essays in ...
... America , and in Canada and Japan , comic books and comic strips are regard- ed as serious artistic and cultural ... American critics have yet looked at comics as a site where words and images intersect . We hope with the essays in ...
Страница xvii
Жао нам је, садржај ове странице је ограничен.
Жао нам је, садржај ове странице је ограничен.
Страница 19
Жао нам је, садржај ове странице је ограничен.
Жао нам је, садржај ове странице је ограничен.
Садржај
Willette Steinlen and the Introduction of the Silent Strip in the Chat Noir with a German Coda | 3 |
Pictorial Principles in the Work of Milt Gross Hendrik Dorgathen Eric Drooker and Peter Kuper | 19 |
Coyotes and Visual Ethos | 40 |
The Yellow Kid and the Comic Page | 60 |
The Emergence of the Modern Magazine Gag Cartoon Reveals the Vital Blend | 75 |
The Disjunction of Word and Image in the Comics of Andrzej Mleczko Ben Katchor R Crumb and Art Spiegelman | 97 |
How a Comics Panel Can Speak Shakespeare | 123 |
A New Theory of Graphic Enunciation | 145 |
Visual Sound Effects in Asterix | 156 |
Text Image and Visual Narrative Strategies | 174 |
Notes | 199 |
205 | |
Contributors | 213 |
215 | |
Друга издања - Прикажи све
The Language of Comics: Word and Image: Word and Image Robin Varnum,Christina T. Gibbons Ограничен приказ - 2001 |
Чести термини и фразе
Acme Novelty Library action animals appears Arno Art Spiegelman artist Asterix and Cleopatra bande dessinée Beronä caption cartoonists character Chat Noir Chris Ware color comic art comic books comic strip complex Coyote Coyote's create Crumb culture depicted disjunctive Dorgathen drawing Drooker Eisner elements Elkins emotional Eric Drooker ethos example Figure film gag cartoon genre graphiateur graphiation graphic Gross Hamlet Hergé hero humor magazines icons idea illustrated images and words Kannenberg Katchor Kunzle language lexias look Marion Masereel McCloud meaning medium Milt Gross Mleczko narration narrative newspaper objects Outcault panel Peter Kuper pictorial Pierrot Quimby reader reading Road Runner Road Runner Show Ross semiotics sense silent single-speaker soliloquy sound Space Dog speaking speech balloons Spiegelman Steinlen story style Sunday symbols textual tion toons verbal visual Ware's Wile Wile E Willette woodcut word and image word-image wordless comics words and pictures Yellow Kid York Yorker