The Language of Comics: Word and ImageRobin Varnum, Christina T. Gibbons Univ. Press of Mississippi, 2001 - 222 страница |
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Страница viii
... of Chris Ware : Text , Image , and Visual Narrative Strategies 174 GENE KANNENBERG , JR . Notes 199 Works Cited 205 Contributors 213 Index 215 INTRODUCTION The balance of power between words and images which viii CONTENTS.
... of Chris Ware : Text , Image , and Visual Narrative Strategies 174 GENE KANNENBERG , JR . Notes 199 Works Cited 205 Contributors 213 Index 215 INTRODUCTION The balance of power between words and images which viii CONTENTS.
Страница ix
... such specialized features as word balloons , zip ribbons , and even the panel frames which enclose scenes or segments of a narrative — can be manipulated with great sophistication . Throughout Europe and Latin America Introduction.
... such specialized features as word balloons , zip ribbons , and even the panel frames which enclose scenes or segments of a narrative — can be manipulated with great sophistication . Throughout Europe and Latin America Introduction.
Страница xiii
... narrative theory " ( 48 ) . In our own volume , Todd Taylor draws on rhetorical theory and the con- cept of visual ethos in order to discuss Wile E. Coyote and the Road Runner . David Kunzle is an art historian . He and David Berona ...
... narrative theory " ( 48 ) . In our own volume , Todd Taylor draws on rhetorical theory and the con- cept of visual ethos in order to discuss Wile E. Coyote and the Road Runner . David Kunzle is an art historian . He and David Berona ...
Страница xv
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Страница xvi
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Willette Steinlen and the Introduction of the Silent Strip in the Chat Noir with a German Coda | 3 |
Pictorial Principles in the Work of Milt Gross Hendrik Dorgathen Eric Drooker and Peter Kuper | 19 |
Coyotes and Visual Ethos | 40 |
The Yellow Kid and the Comic Page | 60 |
The Emergence of the Modern Magazine Gag Cartoon Reveals the Vital Blend | 75 |
The Disjunction of Word and Image in the Comics of Andrzej Mleczko Ben Katchor R Crumb and Art Spiegelman | 97 |
How a Comics Panel Can Speak Shakespeare | 123 |
A New Theory of Graphic Enunciation | 145 |
Visual Sound Effects in Asterix | 156 |
Text Image and Visual Narrative Strategies | 174 |
Notes | 199 |
205 | |
Contributors | 213 |
215 | |
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The Language of Comics: Word and Image: Word and Image Robin Varnum,Christina T. Gibbons Ограничен приказ - 2001 |
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Acme Novelty Library action animals appears Arno Art Spiegelman artist Asterix and Cleopatra bande dessinée Beronä caption cartoonists character Chat Noir Chris Ware color comic art comic books comic strip complex Coyote Coyote's create Crumb culture depicted disjunctive Dorgathen drawing Drooker Eisner elements Elkins emotional Eric Drooker ethos example Figure film gag cartoon genre graphiateur graphiation graphic Gross Hamlet Hergé hero humor magazines icons idea illustrated images and words Kannenberg Katchor Kunzle language lexias look Marion Masereel McCloud meaning medium Milt Gross Mleczko narration narrative newspaper objects Outcault panel Peter Kuper pictorial Pierrot Quimby reader reading Road Runner Road Runner Show Ross semiotics sense silent single-speaker soliloquy sound Space Dog speaking speech balloons Spiegelman Steinlen story style Sunday symbols textual tion toons verbal visual Ware's Wile Wile E Willette woodcut word and image word-image wordless comics words and pictures Yellow Kid York Yorker