The Language of Comics: Word and ImageRobin Varnum, Christina T. Gibbons Univ. Press of Mississippi, 2001 - 222 страница |
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Страница ix
... verbal language is abstract , essentially linear , and achieves its functionality by the application of culturally derived codes once removed from direct experience , " visual information " is holistic , immediate , and experientially ...
... verbal language is abstract , essentially linear , and achieves its functionality by the application of culturally derived codes once removed from direct experience , " visual information " is holistic , immediate , and experientially ...
Страница x
... verbal / visual persuasion , showing while it tells , illustrating its claims with powerful examples , making the lis- tener see and not merely hear the orator's point . ( 49-50 ) The similarities between words and images have long been ...
... verbal / visual persuasion , showing while it tells , illustrating its claims with powerful examples , making the lis- tener see and not merely hear the orator's point . ( 49-50 ) The similarities between words and images have long been ...
Страница xii
... verbal literacy . Pictures seem more transparent than words , but often their transparency is illusory . They convey ideas and values , and reading them requires sophis- tication and skill . As any student of advertising knows ...
... verbal literacy . Pictures seem more transparent than words , but often their transparency is illusory . They convey ideas and values , and reading them requires sophis- tication and skill . As any student of advertising knows ...
Страница xiv
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Страница xv
Жао нам је, садржај ове странице је ограничен.
Жао нам је, садржај ове странице је ограничен.
Садржај
Willette Steinlen and the Introduction of the Silent Strip in the Chat Noir with a German Coda | 3 |
Pictorial Principles in the Work of Milt Gross Hendrik Dorgathen Eric Drooker and Peter Kuper | 19 |
Coyotes and Visual Ethos | 40 |
The Yellow Kid and the Comic Page | 60 |
The Emergence of the Modern Magazine Gag Cartoon Reveals the Vital Blend | 75 |
The Disjunction of Word and Image in the Comics of Andrzej Mleczko Ben Katchor R Crumb and Art Spiegelman | 97 |
How a Comics Panel Can Speak Shakespeare | 123 |
A New Theory of Graphic Enunciation | 145 |
Visual Sound Effects in Asterix | 156 |
Text Image and Visual Narrative Strategies | 174 |
Notes | 199 |
205 | |
Contributors | 213 |
215 | |
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The Language of Comics: Word and Image: Word and Image Robin Varnum,Christina T. Gibbons Ограничен приказ - 2001 |
Чести термини и фразе
Acme Novelty Library action animals appears Arno Art Spiegelman artist Asterix and Cleopatra bande dessinée Beronä caption cartoonists character Chat Noir Chris Ware color comic art comic books comic strip complex Coyote Coyote's create Crumb culture depicted disjunctive Dorgathen drawing Drooker Eisner elements Elkins emotional Eric Drooker ethos example Figure film gag cartoon genre graphiateur graphiation graphic Gross Hamlet Hergé hero humor magazines icons idea illustrated images and words Kannenberg Katchor Kunzle language lexias look Marion Masereel McCloud meaning medium Milt Gross Mleczko narration narrative newspaper objects Outcault panel Peter Kuper pictorial Pierrot Quimby reader reading Road Runner Road Runner Show Ross semiotics sense silent single-speaker soliloquy sound Space Dog speaking speech balloons Spiegelman Steinlen story style Sunday symbols textual tion toons verbal visual Ware's Wile Wile E Willette woodcut word and image word-image wordless comics words and pictures Yellow Kid York Yorker