The Language of Comics: Word and ImageRobin Varnum, Christina T. Gibbons Univ. Press of Mississippi, 2001 - 222 страница |
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Страница xi
... writing " ( 4 ) . It is possible to think of comics either as a single , integral system of sig- nification or as a hybrid ( whether freakish or not ) made up of the separate elements of painting and writing . The term " hybrid " is ...
... writing " ( 4 ) . It is possible to think of comics either as a single , integral system of sig- nification or as a hybrid ( whether freakish or not ) made up of the separate elements of painting and writing . The term " hybrid " is ...
Страница xii
... writing his 1978 study of poet / artist William Blake , lists Norman Bryson , Mieke Bal , Michael Fried , and Wendy Steiner , as well as himself , as having crossed " the borders from departments of literature into art history " ( 48 ) ...
... writing his 1978 study of poet / artist William Blake , lists Norman Bryson , Mieke Bal , Michael Fried , and Wendy Steiner , as well as himself , as having crossed " the borders from departments of literature into art history " ( 48 ) ...
Страница xiii
... writers to do so were Pierre Fresnault- Deruelle in 1977 and Alain Rey in 1978. More recent semiotics - informed ... writer in the present volume . Understanding Comics has great heuristic value and may have prompted more scholarly ...
... writers to do so were Pierre Fresnault- Deruelle in 1977 and Alain Rey in 1978. More recent semiotics - informed ... writer in the present volume . Understanding Comics has great heuristic value and may have prompted more scholarly ...
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Willette Steinlen and the Introduction of the Silent Strip in the Chat Noir with a German Coda | 3 |
Pictorial Principles in the Work of Milt Gross Hendrik Dorgathen Eric Drooker and Peter Kuper | 19 |
Coyotes and Visual Ethos | 40 |
The Yellow Kid and the Comic Page | 60 |
The Emergence of the Modern Magazine Gag Cartoon Reveals the Vital Blend | 75 |
The Disjunction of Word and Image in the Comics of Andrzej Mleczko Ben Katchor R Crumb and Art Spiegelman | 97 |
How a Comics Panel Can Speak Shakespeare | 123 |
A New Theory of Graphic Enunciation | 145 |
Visual Sound Effects in Asterix | 156 |
Text Image and Visual Narrative Strategies | 174 |
Notes | 199 |
205 | |
Contributors | 213 |
215 | |
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The Language of Comics: Word and Image: Word and Image Robin Varnum,Christina T. Gibbons Ограничен приказ - 2001 |
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Acme Novelty Library action animals appears Arno Art Spiegelman artist Asterix and Cleopatra bande dessinée Beronä caption cartoonists character Chat Noir Chris Ware color comic art comic books comic strip complex Coyote Coyote's create Crumb culture depicted disjunctive Dorgathen drawing Drooker Eisner elements Elkins emotional Eric Drooker ethos example Figure film gag cartoon genre graphiateur graphiation graphic Gross Hamlet Hergé hero humor magazines icons idea illustrated images and words Kannenberg Katchor Kunzle language lexias look Marion Masereel McCloud meaning medium Milt Gross Mleczko narration narrative newspaper objects Outcault panel Peter Kuper pictorial Pierrot Quimby reader reading Road Runner Road Runner Show Ross semiotics sense silent single-speaker soliloquy sound Space Dog speaking speech balloons Spiegelman Steinlen story style Sunday symbols textual tion toons verbal visual Ware's Wile Wile E Willette woodcut word and image word-image wordless comics words and pictures Yellow Kid York Yorker