The Movie Business: The Definitive Guide to the Legal and Financial Secrets of Getting Your Movie MadeSimon and Schuster, 5. 5. 2005. - 528 страница Making a movie may be part art and part science, but it's 100 percent business. In this comprehensive and accessible guide, Kelly Charles Crabb shares the information necessary to understand the legal and financial challenges involved in getting a film from story to the silver screen and beyond. Drawing on over twenty years of experience in the entertainment industry, as both lawyer and producer, Crabb reveals his insider's knowledge on:
While it may not transform you into a lawyer or an industry accountant -- and that's not what you want anyway -- it will take you through all the business and legal principles you need to know to be a successful and knowledgeable professional producer. |
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Страница 14
... negotiations of a deal . Agents work on a commission basis ( usually 10 percent of the client's com- pensation ) and can , therefore , be relied on to aggressively pursue the highest compensation possible . They will also demand ...
... negotiations of a deal . Agents work on a commission basis ( usually 10 percent of the client's com- pensation ) and can , therefore , be relied on to aggressively pursue the highest compensation possible . They will also demand ...
Страница 23
... negotiation on the form. History shows that studios have indeed been targets for litigation based on un- solicited submissions. Moreover, as you can imagine, most unsolicited material comes from first-time writers, producers, or other ...
... negotiation on the form. History shows that studios have indeed been targets for litigation based on un- solicited submissions. Moreover, as you can imagine, most unsolicited material comes from first-time writers, producers, or other ...
Страница 25
... negotiate a deal providing compensation to the submitting party. You agree that you will not use the Material as the basis for a motion picture or television program unless you first negotiate with me compensation for such use; but I ...
... negotiate a deal providing compensation to the submitting party. You agree that you will not use the Material as the basis for a motion picture or television program unless you first negotiate with me compensation for such use; but I ...
Страница 26
... negotiate with and pay the submitter will be subject to several important considerations : The producer will be able ... negotiation and a written agreement . Otherwise , the producer has no obligation toward the submitter . There is no ...
... negotiate with and pay the submitter will be subject to several important considerations : The producer will be able ... negotiation and a written agreement . Otherwise , the producer has no obligation toward the submitter . There is no ...
Страница 45
... negotiation goes something like this: First, the producer says something like, “Come on, this will be a low-budget picture—cut me a break.” Then, the owner says, “Well, okay, but what happens if you get a big star to play the role of ...
... negotiation goes something like this: First, the producer says something like, “Come on, this will be a low-budget picture—cut me a break.” Then, the owner says, “Well, okay, but what happens if you get a big star to play the role of ...
Садржај
1 | |
16 | |
42 | |
Book | 87 |
Obtaining an Existing Screenplay | 113 |
Obtaining Development Money | 121 |
BOOK THREE | 129 |
Papering the Package | 151 |
Merchandise Licensing | 396 |
SoundTrack Albums | 413 |
Home Video | 421 |
Television | 436 |
Print Publishing | 456 |
Interactive Works | 463 |
The Net | 465 |
Territory | 466 |
Book FOUR | 165 |
The SplitRights deal | 181 |
The Studio as Financier | 202 |
BOOK FIVE | 211 |
Assembling the Main Players | 217 |
Procuring Everything Else | 263 |
Filming the Movie | 276 |
Book | 329 |
Rights | 467 |
Deliverables | 468 |
Consideration | 469 |
Other Terms | 470 |
Epilogue | 471 |
Notes | 475 |
Index | 491 |
Друга издања - Прикажи све
The Movie Business: The Definitive Guide to the Legal and Financial Secrets ... Kelly Crabb Ограничен приказ - 2005 |
The Movie Business: The Definitive Guide to the Legal and Financial Se Kelly Crabb Приказ није доступан - 2010 |
Чести термини и фразе
Academy Award actor adjusted gross advertising agrees Alan Smithee amount and/or approval chain of title clarifies Compact Disc composer contract copies costs deal deduct delivery director discussed distribution fee distributor dubbed ducer Employee Employee's example exclusive exploitation film Gross Receipts guild hereby hereunder home video Internet investor lawyer Licensed Right licensor limited major master recording material ment merchandise minimum guarantee motion picture movie MPAA negotiate novel obligation option owner package paid payments percent performance performing rights society person prints producer producer's producer/owner production company promotional received record recoup representations and warranties revenues royalties sales agent screen screenplay script secondary broadcasts sound-track album story studio television term territory theater theatrical release thereof third party tion trademark trailers United United States Dollars USCO videocassette Warner Bros writer
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Страница 476 - ... ordered or commissioned for use as a contribution to a collective work, as a part of a motion picture or other audiovisual work, as a translation, as a supplementary work, as a compilation, as an instructional text, as a test, as answer material for a test, or as an atlas, if the parties expressly agree in a written instrument signed by them that the work shall be considered a work made for hire.
Страница 476 - ... derivative work" is a work based upon one or more preexisting works, such as a translation, musical arrangement, dramatization, fictionalization, motion picture version, sound recording, art reproduction, abridgment, condensation, or any other form in which a work may be recast, transformed, or adapted. A work consisting of editorial revisions, annotations, elaborations, or other modifications which, as a whole, represent an original work of authorship, is a "derivative work".
Страница 321 - ... domestic and foreign copyrights and renewal rights should be checked. If a completed film is being acquired, a similar review should be made on copyright and renewals on any copyrighted underlying property. If the script or story is an unpublished original, the origins of the work should be determined — basic idea, sequence of events, and characters.
Страница 171 - This announcement is not an offer to sell or a solicitation of an offer to buy any of these securities.
Страница 213 - The International Alliance of Theatrical Stage Employees, Moving Picture Technicians, Artists and Allied Crafts of the United States, Its Territories and Canada, AFL-CIO, CLC...
Страница 481 - Each purchaser represents that the purchaser is purchasing for the purchaser's own account (or a trust account if the purchaser is a trustee) and not with a view to or for sale in connection with any distribution of the security.
Страница 24 - ... material shall not obligate you to negotiate with me nor entitle me to any compensation if you determine that you have an independent legal right to use such other material, which is not derived from me (either because such features or elements were not new or novel, or were not originated by me, or were or may hereafter be independently created and submitted by other persons, including your employees).
Страница 481 - ... such knowledge and experience in financial and business matters that he is capable of evaluating the merits and risks of the prospective investment.
Страница 243 - Writer has the full right, power and authority to enter into and perform this agreement and to grant to...
Страница 33 - THEREFORE, for and in consideration of the promises, and other good and valuable consideration, the receipt and sufficiency of which are hereby acknowledged, the parties hereto, intending to be legally bound, do hereby agree as follows: 1.