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XX.

While I-to the shape, I too
Feel my soul dilate:

Nor a whit abate,

And relax not a gesture due,

As I see my belief come true.

XXI.

For, there have I drawn or no

Life to that lip?

Do my fingers dip

In a flame which again they throw
On the cheek that breaks a-glow?

XXII.

Ha! was the hair so first?

What, unfilleted,

Made alive, and spread

Through the void with a rich outburst, Chestnut gold-interspersed ?

XXIII.

Like the doors of a casket-shrine,

See, on either side,

Her two arms divide

Till the heart betwixt makes sign,

"Take me, for I am thine!"

XXIV.

"Now-now"-the door is heard!

Hark, the stairs! and near-
Nearer and here-

"Now!" and, at call the third,

She enters without a word.

XXV.

On doth she march and on
To the fancied shape;

It is, past escape,

Herself, now: the dream is done

And the shadow and she are one.

XXVI.

First, I will pray. Do Thou
That ownest the soul,

Yet wilt grant control

To another, nor disallow

For a time, restrain me now!

XXVII.

I admonish me while I may,
Not to squander guilt,
Since require Thou wilt

At my hand its price one day!
What the price is, who can say?

BY THE FIRESIDE.

I.

How well I know what I mean to do

When the long dark autumn evenings come; And where, my soul, is thy pleasant hue? With the music of all thy voices, dumb In life's November too!

II.

I shall be found by the fire, suppose,

O'er a great wise book, as beseemeth age; While the shutters flap as the cross-wind blows, And I turn the page, and I turn the page, Not verse now, only prose!

III.

Till the young ones. whisper, finger on lip, “There he is at it, deep in Greek:

"Now then, or never, out we slip

"To cut from the hazels by the creek "A mainmast for our ship!"

IV.

1

I shall be at it indeed, my friends!
Greek puts already on either side
Such a branch-work forth as soon extends
To a vista opening far and wide,

And I pass out where it ends.

V.

The out-side frame, like your hazel-trees

But the inside-archway widens fast, And a rarer sort succeeds to these,

And we slope to Italy at last And youth, by green degrees.

VI.

I follow wherever I am led,

Knowing so well the leader's hand: Oh woman-country, wooed not wed,

Loved all the more by earth's male-lands, Laid to their hearts instead !

VII.

Look at the ruined chapel again
Half-way up in the Alpine gorge!
Is that a tower, I point you plain,
Or is it a mill, or an iron forge
Breaks solitude in vain ?

VIII.

A turn, and we stand in the heart of things; The woods are round us, heaped and dim; From slab to slab how it slips and springs, The thread of water single and slim, Through the ravage some torrent brings!

IX.

Does it feed the little lake below?

That speck of white just on its marge

Is Pella; see, in the evening-glow,

How sharp the silver spear-heads charge When Alp meets heaven in snow!

X.

On our other side is the straight-up rock;
And a path is kept 'twixt the gorge and it
By boulder-stones where lichens mock

The marks on a moth, and small ferns fit
Their teeth to the polished block.

XI.

Oh the sense of the yellow mountain-flowers,
And thorny balls, each three in one,
The chestnuts throw on our path in showers!
For the drop of the woodland fruit 's begun,
These early November hours,

XII.

That crimson the creeper's leaf across
Like a splash of blood, intense, abrupt,
O'er a shield else gold from rim to boss,
And lay it for show on the fairy-cupped
Elf-needled mat of moss,

XIII.

By the rose-flesh mushrooms, undivulged
Last evening-nay, in to-day's first dew
Yon sudden coral nipple bulged,

Where a freaked fawn-coloured flaky crew
Of toad-stools peep indulged.

XIV.

And yonder, at foot of the fronting ridge
That takes the turn to a range beyond,
Is the chapel reached by the one-arched bridge,
Where the water is stopped in a stagnant pond
Danced over by the midge.

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