Dance Marathons: Performing American Culture of the 1920s and 1930sUniversity Press of Mississippi, 1994 - 182 страница This penetrating analysis of one of the most extraordinary fads ever to strike America details how dance marathons manifested a potent from of drama. Between the two world wars they were a phenomenon in which working-class people engaged in emblematic struggles for survival. Battling to outlast other contestants, the dancers hoped to become notable. There was crippling exhaustion and anguish among the contenders, but ultimately it was the coupling of authentic pain with staged displays that made dance marathons a national craze. Within the well-controlled space of theatre they revealed actual life's unpredictability and inconsistencies, and, indeed, the frightful aspects of social Darwinism. In this grotesque theatrical setting we see also a horrifying metaphor - the ailing nation grappling with difficult times. |
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Страница xxii
... promoters . The promoters made efforts to regularize and organize their shows . The National Endurance Amusement Association ( NEAA ) was formed in 1935 to transform marathons into a legitimate business , but it actu- ally signaled the ...
... promoters . The promoters made efforts to regularize and organize their shows . The National Endurance Amusement Association ( NEAA ) was formed in 1935 to transform marathons into a legitimate business , but it actu- ally signaled the ...
Страница 114
... promoter that the prize money would be awarded no matter what the circumstances . To this end , contracts could be drawn up between promoters and contestants . Contestants could also insist that promoters deposit 10 percent of the gross ...
... promoter that the prize money would be awarded no matter what the circumstances . To this end , contracts could be drawn up between promoters and contestants . Contestants could also insist that promoters deposit 10 percent of the gross ...
Страница 125
... promoters . Promoters controlled the organization's finances . Of course , they also created most of the situa- tions that jeopardized the endurance field . Kaplan , who seemed to be undaunted by his apparent lack of success at getting ...
... promoters . Promoters controlled the organization's finances . Of course , they also created most of the situa- tions that jeopardized the endurance field . Kaplan , who seemed to be undaunted by his apparent lack of success at getting ...
Садржај
COMMON HEROES | 3 |
THE DANCE DERBY OF THE CENTURY | 22 |
FOR NO GOOD REASON | 40 |
Ауторска права | |
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Dance Marathons: Performing American Culture of the 1920s and 1930s Carol J. Martin Ограничен приказ - 1994 |
Dance Marathons: Performing American Culture of the 1920s and 1930s Carol J. Martin Преглед исечка - 1994 |
Dance Marathons: Performing American Culture of the 1920s and 1930s Carol J. Martin Преглед исечка - 1994 |
Чести термини и фразе
amateurs American April audience Audubon Ballroom ballroom Ballroom Dance Billboard Chicago Cinderella Ballroom City collection of George competition Corpus Christi couples Crandall Crandall's crowd culture Dance Contests Dance Derby dance floor dance halls dance mara dance marathons dancers Depression dramatic Editorial elimination Elliott scrapbook emcee endurance contests Endurance Dances endurance shows floor judges Galveston George Eells girl Harlingen Helen Mayer Ibid interview with author June Kaplan King Brady knew laws legislation Letter to author Madison Square Garden marathon dancing marathon promoters master of ceremonies ment Miami mock wedding movie NEAA newsclipping from Elliott night nonstop dancing ordinance participate partner performance Perlman person Photo police popular entertainment prize money professional record rest periods rest quarters Richard Elliott Ross Ross's Section sexual Shoot Horses spectators stage Stan West testants Texas theater theatrical thons Tidbits tion town trainers unidentified newsclipping walkathon winning women York