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CLXXXVIII. RICHARD OWEN CAMBRIDGE,

1717-1802.

INVITATION-CARDS.

From solitude they give the cheerful call
To the choice supper or the sprightly ball;
Speed the soft summons of the gay and fair,
From distant Bloomsbury to Grosvenor's square ;
And bring the colonel to the tender hour,
From the parade, the senate, or the Tower.

Ye records, patents of our worth and pride!
Our daily lesson, and our nightly guide!
Where'er ye stand, disposed in proud array,
The vapours vanish, and the heart is gay;
But when no cards the chimney-glass adorn,
The dismal void with heart-felt shame we mourn;
Conscious neglect inspires a sullen gloom,
And brooding sadness fills the slighted room.

CLXXXIX. COLLINS, 1720—1756.

1. THE PASSIONS.

When Music, heavenly maid, was young,
While yet in early Greece she sung.
The Passions oft, to hear her shell,
Throng'd around her magic cell,
Exulting, trembling, raging, fainting,
Possess'd beyond the Muse's painting;
By turns they felt the glowing mind
Disturb'd, delighted, rais'd, refined:
Till once, 'tis said, when all were fired,
Fill'd with fury, rapt, inspir'd,
From the supporting myrtles round
They snatch'd her instruments of sound;
And, as they oft had heard apart
Sweet lessons of her forceful art,
Each (for madness ruled the hour)
Would prove his own expressive power.
First Fear his hand, its skill to try,
Amid the chords bewilder'd laid,
And back recoil'd, he knew not why
E'en at the sound himself had made.

Next Anger rush'd, his

eyes on fire,
In lightnings owned his secret stings,
In one rude clash he struck the lyre,
And swept with hurried hand the strings.
With woful measures wan Despair,

Low, sullen sounds his grief beguil'd;
A solemn, strange, and mingled air,
'Twas sad by fits, by starts 'twas wild.
But thou, O Hope, with eyes so fair,
What was thy delighted measure?
Still it whisper'd promised pleasure,
And bade the lovely scenes at distance hail!
Still would her touch the strain prolong,

And from the rocks, the woods, the vale,
She call'd on Echo still through all the song;
And where her sweetest theme she chose,

A soft responsive voice was heard at every close,
And Hope enchanted smil'd and wav'd her golden hair.
And longer had she sung-but with a frown,
Revenge impatient rose :

He threw his blood-stain'd sword in thunder down,
And with a withering look,

The war-denouncing trumpet took,

And blew a blast so loud and dread,

Were ne'er prophetic sounds so full of woe;

And ever and anon he beat

The doubling drum with furious heat:

And though sometimes, each dreary pause between,
Dejected Pity at his side

Her soul-subduing voice applied,

Yet still he kept his wild unalter'd mien;

While each strain'd ball of sight seem'd bursting from

his head.

Thy numbers, Jealousy, to nought were fix'd,

Sad proof of thy distressful state!

Of differing themes the veering song was mix'd;

And now it courted Love, now raving call'd on Hate.

With eyes uprais'd, as one inspir'd,

Pale Melancholy sat retir'd,

And from her wild sequester'd seat,

In notes by distance made more sweet,

Pour'd through the mellow horn her pensive soul:
And dashing soft from rocks around,

Bubbling runnels join'd the sound;

Through glades and glooms the mingled measures stole,

Or o'er some haunted stream with fond delay,
Round a holy calm diffusing,

Love of peace and lonely musing,

In hollow murmurs died away.

But, O how alter'd was its sprightlier tone!
When Cheerfulness, a nymph of healthiest hue,
Her bow across her shoulder flung,

Her buskins gemm'd with morning dew,
Blew an aspiring air, that dale and thicket rung,
The hunter's call to Faun and Dryad known;
The oak-crown'd sisters, and their chaste-eyed queen,
Satyrs and sylvan boys were seen

Peeping from forth their alleys green:

Brown Exercise rejoic'd to hear,

And Sport leap'd up, and seized his beechen spear.
Last came Joy's ecstatic trial:

He, with viny crown advancing,

First to the lively pipe his hand address'd,
But soon he saw the brisk-awakening viol,

Whose sweet entrancing voice he lov'd the best:
They would have thought, who heard the strain,
They saw in Tempe's vale her native maids,
Amidst the festal sounding shades,

To some unwearied minstrel dancing,
While, as his flying fingers kiss'd the strings,
Love fram'd with mirth a gay fantastic round;
Loose were her tresses seen, her zone unbound;
And he, amidst his frolic play,

As if he would the charming air repay,
Shook thousand odours from his dewy wings.
O Music, sphere-descended maid,
Friend of pleasure, wisdom's aid!
Why, goddess, why to us denied,
Lay'st thou thy ancient lyre aside?
As, in that lov'd Athenian bow'r,
You learn'd an all-commanding pow'r;

Thy mimic soul, O nymph endear'd!
Can well recall what then it heard.
Where is thy native simple heart,
Devote to virtue, fancy, art?
Arise, as in that elder time,
Warm, energetic, chaste, sublime!
Thy wonders in that godlike age
Fill thy recording sister's page—
'Tis said, and I believe the tale,
Thy humblest reed could more prevail,
Had more of strength, diviner rage,
Than all which charms this laggard age;
E'en all at once together found
Cecilia's mingled world of sound---
O, bid our vain endeavours cease,
Revive the just designs of Greece,
Return in all thy simple state,
Confirm the tales her sons relate!

2. ODE TO EVENING.

If aught of oaten stop, or pastoral song,
May hope, chaste Eve, to soothe thy modest ear,
Like thy own solemn springs,

Thy springs, and dying gales;

O Nymph, reserv'd, while now the bright-hair'd sun
Sits on yon western tent, whose cloudy skirts,
With brede ethereal wove,
O'erhang his wavy bed:

Now air is hush'd, save where the weak-ey'd bat,
With short shrill shrieks flits by on leathern wing,
Or where the beetle winds

His small but sullen horn,

As oft he rises midst the twilight path,
Against the pilgrim borne in heedless hum;
Now teach me, maid compos'd,

To breathe some soften'd strain,

Whose numbers stealing through thy dark'ning vale
May not unseemly with its stillness suit,
As musing slow, I hail

Thy genial lov'd return!

For when thy folding star arising shows

His paly circlet, at his warning lamp

The fragrant hours, and Elves

Who slept in flowers the day,

And many a nymph who wreathes her brows with sedge, And sheds the fresh'ning dew; and, lovelier still,

The pensive pleasures sweet

Prepare thy shadowy car.

Then lead, calm vot'ress, where some sheety lake
Cheers the lone heath, or some time-hallow'd pile,
Or upland fallows gray,
Reflect its last cool gleam.

Or if chill blust'ring winds, or driving rain,
Prevent my willing feet, be mine the hut,
That from the mountain's side,

Views wilds, and swelling floods,

And hamlets brown, and dim-discover'd spires,
And hears their simple bell, and marks o'er all
Thy dewy fingers draw

The gradual dusky veil.

While Spring shall pour his show'rs, as oft he wont,
And bathe thy breathing tresses, meekest Eve!
While Summer loves to sport
Beneath thy ling'ring light;

While sallow Autumn fills thy lay with leaves;
Or Winter, yelling through the troublous air,
Affrights thy shrinking train,

And rudely rends thy robes;
So long regardful of thy quiet rule,
Shall Fancy, Friendship, Science, smiling Peace,
Thy gentlest influence own,

And love thy fav'rite name!

3. HOW SLEEP THE BRAVE!

How sleep the brave, who sink to rest,
By all their country's wishes blest!
When Spring, with dewy fingers cold,
Returns to deck their hallow'd mould,
She there shall dress a sweeter sod
Than fancy's feet have ever trod.
By fairy hands their knell is rung,
By forms unseen their dirge is sung,

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