Studies in Literature, 1789-1877C.K. Paul, 1878 - 523 страница |
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Страница ix
... interest centred in the individual - The dominant thought in his writings - His doctrines on art - Contempt for the connoisseur- Contrast of the connoisseur with the artist - His poems on love- Two groups of dramatis persona - Virtue of ...
... interest centred in the individual - The dominant thought in his writings - His doctrines on art - Contempt for the connoisseur- Contrast of the connoisseur with the artist - His poems on love- Two groups of dramatis persona - Virtue of ...
Страница 5
... interest in the middle ages is part of the aroused historical imagination of modern times ; in Victor Hugo it is part of the reaction against the classical fadeurs of the last century , part of the modern demand for a richer life in art ...
... interest in the middle ages is part of the aroused historical imagination of modern times ; in Victor Hugo it is part of the reaction against the classical fadeurs of the last century , part of the modern demand for a richer life in art ...
Страница 14
... interest and impassioned zeal , which called forth and strained every faculty of my intellect for the organization and defence of this scheme , I owe much of what I at present possess , my clearest insight into the nature of individual ...
... interest and impassioned zeal , which called forth and strained every faculty of my intellect for the organization and defence of this scheme , I owe much of what I at present possess , my clearest insight into the nature of individual ...
Страница 21
... interests him as a moonlight ruin might , —very charming things may be said about each of them . Nor did he possess a political any more than a religious faith ; • what he really represents is the void left by The French Revolution and ...
... interests him as a moonlight ruin might , —very charming things may be said about each of them . Nor did he possess a political any more than a religious faith ; • what he really represents is the void left by The French Revolution and ...
Страница 22
... interests , in the past and in the present , in the material and in the moral orders . As we read the poem we assist at the rise and fall of empires , in the court , the camp , the council - chamber . Under the veil of superficial ...
... interests , in the past and in the present , in the material and in the moral orders . As we read the poem we assist at the rise and fall of empires , in the court , the camp , the council - chamber . Under the veil of superficial ...
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admirable appeared ardour artist aspirations beauty become Browning's Byron calm character Christian Church Coleridge conception conscience creed critical Daniel Deronda deism democracy democratic Deronda divine doctrine duty earth Edgar Quinet eighteenth century emotions English evil external nature eyes fact faith feeling force France freedom French French Revolution gaze genius George Eliot happy heart heaven highest hope Hugo's human idea ideal imagination instincts intellect La Chênaie Lamennais Landor Leaves of Grass less light literature living manhood mediæval Middlemarch mind Mirah moral movement nation ness never noble passion perfect period philosophy poems poet poetical poetry political possessed present prophet prose Quinet race religion religious Revolution Sainte-Beuve scientific seemed sense Shelley society song sorrow soul spirit sympathy tendency tender Tennyson Théodore de Banville things thought tion transcendental true truth verse Victor Hugo voice Walt Whitman Whitman words Wordsworth writings youth
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Страница 101 - FLOWER in the crannied wall, I pluck you out of the crannies, I hold you here, root and all, in my hand, Little flower — but if I could understand What you are, root and all, and all in all, I should know what God and man is.
Страница 172 - I STROVE with none, for none was worth my strife; Nature I loved, and next to Nature, Art; I warmed both hands before the fire of life; It sinks, and I am ready to depart.
Страница 522 - Prais'd be the fathomless universe, For life and joy, and for objects and knowledge curious, And for love, sweet love — but praise! praise! praise! For the sure-enwinding arms of cool-enfolding death. Dark mother always gliding near with soft feet, Have none chanted for thee a chant of fullest welcome? Then I chant it for thee, I glorify thee above all, I bring thee a song that when thou must indeed come, come unfalteringly.
Страница 203 - Then comes the statelier Eden back to men : Then reign the world's great bridals, chaste and calm : Then springs the crowning race of humankind. May these things be ! ' Sighing she spoke
Страница 224 - There shall never be one lost good! What was, shall live as before; The evil is null, is naught, is silence implying sound; What was good shall be good, with, for evil, so much good more; On the earth the broken arcs; in the heaven a perfect round.
Страница 52 - Soft roll your incense, herbs, and fruits, and flowers, In mingled clouds to him whose sun exalts, Whose breath perfumes you, and whose pencil paints.
Страница 200 - AN old, mad, blind, despised, and dying king ; Princes, the dregs of their dull race, who flow Through public scorn — mud from a muddy spring ; Rulers, who neither see, nor feel, nor know. But leech-like to their fainting country cling...
Страница 216 - While man knows partly but conceives beside, Creeps ever on from fancies to the fact, And in this striving, this converting air Into a solid he may grasp and use, Finds progress, man's distinctive mark alone, Not God's, and not the beasts' : God is, they are, Man partly is and wholly hopes to be.
Страница 209 - I wanted warmth and colour which I found In Lancelot - now I see thee what thou art, Thou art the highest and most human too, Not Lancelot, nor another. Is there none Will tell the King I love him tho
Страница 224 - All we have willed or hoped or dreamed of good shall exist ; Not its semblance, but itself; no beauty, nor good, nor power Whose voice has gone forth, but each survives for the melodist When eternity affirms the conception of an hour. The high that proved too high, the heroic for earth too hard, The passion that left the ground to lose itself in the sky, Are music sent up to God by the lover and the bard ; Enough that he heard it once: we shall hear it by-and-by.