No-never was known in this riotous sphere And composing a fine rumbling bass to a cholic! But, the dancing-ah! parlez-moi, DOLLY, de çaThere, indeed, is a treat that charms all but Papa. Such beauty-such grace-oh ye sylphs of ro mance! Here DANIEL, in pantomime,' bids bold defiance In very thin clothing, and but little of it ;- In a manner that, BoB says, is quite Eve-angelic! Fly, fly to TITANIA, and ask her if she has One light-footed nymph in her train, that can dance Like divine BIGOTTINI and sweet FANNY BIAS! FANNY BIAS in FLORA-dear creature!-you'd Last night, at the Beaujon, a place where-I swear, doubt When her delicate feet in the dance twinkle If its charms I can paint-there are cars, that set out round, That her steps are of light, that her home is the air, And she only par complaisance touches the ground. And when BIGOTTINI in PSYCHÉ dishevels Her black flowing hair, and by dæmons is driven, Oh! who does not envy those rude little devils, That hold her and hug her, and keep her from heaven? Then, the music-so softly its cadences die, From a lighted pavilion, high up in the air, And rattle you down, DoLL-you hardly know where. These vehicles, mind me, in which you go through This delightfully dangerous journey, hold two. Some cavalier asks, with humility, whether You'll venture down with him-you smile-'tis a match; In an instant you're seated, and down both together Go thund'ring, as if you went post to old scratch ! Well, it was but last night, as I stood and remark'd On the looks and odd ways of the girls who enbark'd, The impatience of some for the perilous flight, What a crisis 'twould be for your friend BIDDY The forced giggle of others, 'twixt pleasure and FUDGE ! The next place (which BOBBY has near lost his heart in) They call it the Play-house-I think-of St. Mar tin Quite charming-and very religious-what folly To say that the French are not pious, dear DOLLY, When here one beholds, so correctly and rightly, The Testament turn'd into melo-drames nightly; And, doubtless, so fond they're of scriptural facts, They will soon get the Pentateuch up in five acts. 1 The Théâtre de la Porte St.-Martin, which was built when the Opera House in the Palais Royal was burnt down, | in 1781.-A few days after this dreadful fire, which lasted more than a week, and in which several persons perished, the Parisian élégantes displayed flame-colored dresses, "couleur de feu d'Opéra !"-Dulaure, Curiosités de Paris. 2 "The old Testament," says the theatrical Critic in the Gazette de France, " is a mine of gold for the managers of our small play-houses. A multitude crowd round the Théâtre de la Gaieté every evening to see the Passage of the Red Sea." In the play-bill of one of these sacred melo-drames at Vienna, we find "The Voice of G-d, by M. Schwartz." 3 A piece very popular last year, called "Daniel, ou La Fosse aux Lions." The following scene will give an idea of fright, That there came up-imagine, dear DOLL, if you can A fine sallow, sublime, sort of Werter-faced man, With mustachios that gave (what we read of so oft) The dear Corsair expression, half savage, half soft, As hyænas in love may be fancied to look, or (Rather bald, but so warlike!) in bad English said, the daring sublimity of these Scriptural pantomimes. "Scène 20.-La fournaise devient un berceau de nuages azures, au fond duquel est un groupe de nuages plus lumineux, et au milieu Jehovah' au centre d'un cercle de rayons brillans, qui annonce la présence de l'E'ternel." 4 Madame Bégrand, a finely-formed woman, who acts in "Susanna and the Elders,"-"L'Amour et la Folie," &c., &c. The Promenades Aériennes, or French MountainsSee a description of this singular and fantastic place of amusement in a pamphlet, truly worthy of it, by “F. F. Cotterel, Médecin, Docteur de la Faculté de Paris," &c., &e. • According to Dr. Cotterel the cars go at the rate of fortyeight miles an hour. 467 "Ah! my dear-if Ma'mselle vil be so very Fly to the Beaujon, and there seek relief good Just for von littel course"-though I scarce understood What he wish'd me to do, I said, thank him, I would. Off we set-and, though faith, dear, I hardly knew whether My head or my heels were the uppermost then, For 'twas like heav'n and earth, DOLLY, coming together, Yet, spite of the danger, we dared it again. And oh as I gazed on the features and air Of the man, who for me all this peril defied, I could fancy almost he and I were a pair Of unhappy young lovers, who thus, side by side, Were taking, instead of rope, pistol, or dagger, a Desperate dash down the falls of Niagara! By rattling, as BOB says, "like shot through a holly-bush." LETTER VI FROM PHIL. FUDGE, ESQ. TO HIS BROTHER TIM FUDGE, YOURS of the 12th received just nowThanks for the hint, my trusty brother! 'Tis truly pleasing to see how We, FUDGES, stand by one another. But never fear-I know my chap, And he knows me too-verbum sap. My Lord and I are kindred spirits, Like in our ways as two young ferrets; Both fashion'd, as that supple race is, To twist into all sorts of places ;Creatures lengthy, lean, and hungering, Fond of blood and burrow-mongering. REYNOLDS and I—(you know TOM REYNOLDS Drinks his claret, keeps his chaise- When S-D-TH wants a death or two ;) All men, like us, of information, Than an exceeding well-bred tyrant; Meaning Informers, kept at high rent❞— Gem'men, who touch'd the Treasury glist'ners, Like us, for being trusty list'ners; And picking up each tale and fragment, For royal MIDAS's Green Bag meant. "And wherefore," said this best of Peers, "Should not the R-G-T too have ears, "To reach as far, as long and wide as "Those of his model, good King MIDAS?" This speech was thought extremely good, And (rare for him) was understoodInstant we drank "The R-G—T's Ears,” With three times three illustrious cheers, Which made the room resound like thunder"The R-G-T's Ears, and may he ne'er "From foolish shame, like MIDAS, wear "Old paltry wigs to keep them under !" 1 Lord C.'s tribute to the character of his friend, Mr. Reynolds, will long be remembered with equal credit to both. 2 This interpretation of the fable of Midas's ears seems the most probable of any, and is thus stated in Hoffmann:"Hâc allegoriâ significatum, Midam, utpote tyrannum, subauscultatores dimittere solitum, per quos, quæcunque per omnem regionem vel fierent, vel dicerentur, cognosceret, nimirum illis utens aurium vice." 3 Brossette, in a note on this line of Boileau, tells us, that " M. Perrault le Médecin voulut faire à notre auteur un crime d'état de ce vers, comme d'une maligne allusion au Roi." I trust, however, that no one will suspect the line in the text of any such indecorous allusion. CASTLES, and OLIVER, and such, ners, Who shame us by their imitations; Not things as mute as Punch, when kught, Of which your natural histories brag, Who let the cat out of the bag. Rat after rat, they graduate To Chanc'llorship and Marquisate. Our music's good, you may be sure; 4 It was not under wigs, but tiaras, that King Midas endeavored to conceal these appendages: Tempora purpureis tentat velare tiaris.-OVID. The Noble Giver of the toast, however, had evidently, with his usual clearness, confounded King Midas, Mr. Liston, and the Pe R-g-t together. Mr. Fudge and his friends ought i go by this nameas the man, who, some years since, saved the late Right Hon. George Rose from drowning, was ever after called Salvator Rosa. • This intimacy between the Rats and Informers is just as it should be-"verè dulce sodalitium." 7 His Lordship, during one of the busiest periods of his Takes every part with perfect case, Though to the Base by nature suited; And, form'd for all, as best may please, For whips and bolts, or chords and keys, Turns from his victims to his glees, And has them both well executed.1 H- T-D, who, though no Rat himself, Delights in all such liberal arts, Drinks largely to the House of Guelph, And superintends the Corni parts. While C-NN-G, who'd be first by choice, Consents to take an under voice; And GR-v-s, who well that signal knows, Watches the Volti subitos. In short, as I've already hinted, For Gentlemen, like Tom and me, (We often tell the tale with laughter,) Who used to hide the pikes themselves, Then hang the fools who found them after, I doubt not you could find us, too, Some Orange Parsons that might do ; Among the rest, we've heard of cne, The Reverend-something-HAMILTON, Who stuff'd a figure of himself (Delicious thought!) and had it shot at, To bring some Papists to the shelf, That couldn't otherwise be got at- And now, my brother, guide, and friend, Because I saw your nerves were shaken With anxious fears lest I should fail In this new, loyal, course I've taken. But, bless your heart! you need not doubtWe, FUDGES, know what we're about. Look round, and say if you can see A much more thriving family. There's JACK, the Doctor-night and day Fell sick on purpose to oblige him. He's fobb'd, for that day's work, already. I'll ne'er forget th' old maid's alarm, When, feeling thus Miss Sukey Flirt, he Said, as he dropp'd he shrivell'd arm, "Dama d bad this morning-only thirty!" Your dowagers, too, every one, So gen'rous are, when they call him in, That he might now retire upon The rheumatisms of three old women. Then, whatsoe'er your ailments are, He can so learnedly explain ye 'emYour cold, of course, is a catarrh, Your headache is a hemi-cranium : His skill, too, in young ladies' lungs, The grace with which, most mild of men, He begs them to put out their tongues, Then bids them-put them in again: In short, there's nothing now like JACK!— Take all your doctors great and small, Of present times and ages back, Dear Doctor FUDGE is worth them all. So much for physic-then, in law too, Th' immortal name of FUDGE than thou. Not to expatiate on the art With which you play'd the patriot's part, Ministerial career, took lessons three times a week from a celebrated music-master, in glee-singing. 1 How amply these two propensities of the Noble Lord would have been gratified among that ancient people of Etruria, who, as Aristotle tells us, used to whip their slaves once a year to the sound of flutes! 2 This Right Hon. Gentleman ought to give up his present alliance with Lord C., if upon no other principle than that which is inculcated in the following arrangement between two Ladies of Fashion: Thy glor, lawyer-like delight Thy cases, cited from the Bible- "My only aim's to-crush the writers." I blush to see this letter's length But 'twas my wish to prove to thee And, should affairs go on as pleasant Good-by-my paper's out so nearly, LETTER VII. FROM PHELIM CONNOR TO 1 Then was, indeed, an hour of joy to those Who did not hope, in that triumphant time, on, Who did not hope the lust of spoil was gone; Let all the human stock that, day by day, BEFORE We sketch the Present-let us cast When he, who had defied all Europe's strength, The cause of Kings, for once, the cause of Right;- Round Alpine huts, the perfidy of Kings; 1 While the Congress was reconstructing Europe-not according to rights, natural affiances, language, habits, or aws, but by tables of finance, which divided and subdivided her population into souls, demi-souls, and even fractions, according to a scale of the direct duties or taxes which could be levied by the acquiring state," &c.-Sketch of the Milstary and Political Power of Russia. The words on the protocol are âmes, demi-âmes, &c. |