Scottish and Irish RomanticismOUP Oxford, 24. 1. 2008. - 292 страница Scottish and Irish Romanticism is the first single-author book to address the main non-English Romanticisms of the British Isles. Murray Pittock begins by questioning the terms of his chosen title as he searches for a definition of Romanticism and for the meaning of 'national literature'. He proposes certain determining 'triggers' for the recognition of the presence of a national literature, and also deals with two major problems which are holding back the development of anew and broader understanding of British Isles Romanticisms: the survival of outdated assumptions in ostensibly more modern paradigms, and a lack of understanding of the full range of dialogues and relationships across the literatures of these islands. The theorists whose works chiefly inform the book areBakhtin, Fanon and Habermas, although they do not define its arguments, and an alertness to the ways in which other literary theories inform each other is present throughout the book.Pittock examines in turn the historiography, prejudices, and assumptions of Romantic criticism to date, and how our unexamined prejudices still stand in the way of our understanding of individual traditions and the dialogues between them. He then considers Allan Ramsay's role in song-collecting, hybridizing high cultural genres with broadside forms, creating in synthetic Scots a 'language really used by men', and promoting a domestic public sphere. Chapters 3 and 4 discuss the Scottish andIrish public spheres in the later eighteenth century, together with the struggle for control over national pasts, and the development of the cults of Romance, the Picturesque and Sentiment: Macpherson, Thomson, Owenson and Moore are among the writers discussed. Chapter 5 explores the work of RobertFergusson and his contemporaries in both Scotland and Ireland, examining questions of literary hybridity across not only national but also linguistic borders, while Chapter 6 provides a brief literary history of Burns' descent into critical neglect combined with a revaluation of his poetry in the light of the general argument of the book. Chapter 7 analyzes the complexities of the linguistic and cultural politics of the national tale in Ireland through the work of Maria Edgeworth, while thefollowing chapter considers of Scott in relation to the national tale, Enlightenment historiography, and the European nationalities question. Chapter 9 looks at the importance of the Gothic in Scottish and Irish Romanticism, particularly in the work of James Hogg and Charles Maturin, while Chapter 10,'Fratriotism', explores a new concept in the manner in which Scottish and Irish literary, political and military figures of the period related to Empire. |
Садржај
The Challenge to Literary History | 1 |
2 Allan Ramsay and the Decolonization of Genre | 32 |
3 Romance the Aeolian Harp and the Theft of History | 59 |
The Irish Bard and History Regained | 92 |
5 Robert Fergusson and his Scottish and Irish Contemporaries | 120 |
6 Robert Burns | 144 |
Language Culture and the Irish Sphere | 166 |
8 Scott and the European Nationalities Question | 187 |
9 Hogg Maturin and the Gothic National Tale | 211 |
Sisters Brothers Empire and its Limits in the Scottish and Irish Imagination c17461837 | 235 |
Bibliography | 259 |
287 | |
Друга издања - Прикажи све
Чести термини и фразе
adopted appears argued associated bard became become beginning border British Burns Byron Cambridge Catholic century Chapter claims collection continued critical cultural discussed distinctive early Edgeworth Edinburgh empire England English Enlightenment example expression fact Fergusson fiction followed Gaelic genre Gothic harp historiography Hogg hybrid idea identified Imagination important inflection influence Ireland Irish Jacobite James John kind landscape language later less linguistic literary literature London narrative native nature novels Ossian Oxford past pastoral patriot period poem poet Poetical poetry political present Protestant public sphere published Ramsay Ramsay’s reading reference represented resistance rhetoric Robert role Romantic Romanticism Scotland Scots Scott Scottish Scottish and Irish sentiment social society song standard status sympathy tale taxonomy of glory Thomas tradition turn Union University Press voice vols writing