The Plays of William Shakespeare: The tragediesCassell, Petter & Galpin, 1865 |
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Страница vii
... Note 59 , Act iv . , omit " nation's " " King John . " - Note 73 , Act ii . , for ' velocassimus , ' read " velocassinus . ” 86 First Part Henry IV . " - Note 83. Act iii . , add , " See Note 141 , Act v , ' Love's Labour's Lost ...
... Note 59 , Act iv . , omit " nation's " " King John . " - Note 73 , Act ii . , for ' velocassimus , ' read " velocassinus . ” 86 First Part Henry IV . " - Note 83. Act iii . , add , " See Note 141 , Act v , ' Love's Labour's Lost ...
Страница xi
... Notes as Note 18 , Act iii . , " Coriolanus ; " Note 73 , Act ii . , " Julius Cæsar ; " and Note 44 , Act ii . , " Othello , " where we give collected references to other Notes on the subject discussed ; and as Note 13 , Act iii ...
... Notes as Note 18 , Act iii . , " Coriolanus ; " Note 73 , Act ii . , " Julius Cæsar ; " and Note 44 , Act ii . , " Othello , " where we give collected references to other Notes on the subject discussed ; and as Note 13 , Act iii ...
Страница xii
... Note 23 , Act iii . , " Timon of Athens ; " and Note 144 , Act iv . , " King Lear " ) , his judgment in producing harmonious contrast by short , grotesque scenes immediately pre- ceding those of grave import and interest , or even of ...
... Note 23 , Act iii . , " Timon of Athens ; " and Note 144 , Act iv . , " King Lear " ) , his judgment in producing harmonious contrast by short , grotesque scenes immediately pre- ceding those of grave import and interest , or even of ...
Страница xiii
... Note 31 , Act v . , " Tempest ; " Note 50 , Act v . , " " Pericles " ) ; also , another particular not heretofore observed upon - one almost paradoxical in its statement - his curious power of writing silence ( see Notes 21 , Act ii ...
... Note 31 , Act v . , " Tempest ; " Note 50 , Act v . , " " Pericles " ) ; also , another particular not heretofore observed upon - one almost paradoxical in its statement - his curious power of writing silence ( see Notes 21 , Act ii ...
Страница xiv
... Notes 39 , Act iii . , “ All's Well that Ends Well ; " Note 1 , Act iv . , " Love's Labour's Lost ; " Note 54 , Act iv . , " As You Like It ; " Notes 95 , Act i .; 19 , Act iii .; 65 , Act iv . , " Othello ; " Notes 76 , Act iii .; 8 ...
... Notes 39 , Act iii . , “ All's Well that Ends Well ; " Note 1 , Act iv . , " Love's Labour's Lost ; " Note 54 , Act iv . , " As You Like It ; " Notes 95 , Act i .; 19 , Act iii .; 65 , Act iv . , " Othello ; " Notes 76 , Act iii .; 8 ...
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Achilles Ajax allusion Antony Apem bear blood Brutus Casca Cassio Cleo Coriolanus Cres death Desdemona dost doth elliptically understood Enter Exeunt Exit express eyes father fear Folio prints fool friends gods Hamlet hand hath hear heart heaven Hector Henry IV honour Iago Julius Cæsar Kent King lady Lear look lord Love's Labour's Lost Macb Macbeth Macd madam Marcius means Merchant of Venice misprint nature noble Note Othello passage referred phrase play pray present passage Quartos Queen Richard III Rome Romeo and Juliet SCENE Second Part Henry sense sentence Serv Servant Shake Shakespeare signifying speak speech stand sweet sword tell thee there's thine thou art thou hast Timon of Athens Troilus and Cressida Twelfth Night Ulyss Winter's Tale word