same age. The remains of the unhappy youth were The satirical and town effusions of Chatterton interred in a shell in the burying-ground of Shoe- are often in bad taste, yet display a wonderful comLane workhouse. His unfinished papers he had de- mand of easy language and lively sportive allusion. stroyed before his death, and his room, when broken They have no traces of juvenility, unless it be in 11 open, was found covered with scraps of paper. The adopting the vulgar scandals of the day, unworthy citizens of Bristol have erected a monument to the bis original genius. In his satire of Kew Gardens memory of their native poet. are the follow lines, alluding to the poet laureate The poems of Chatterton, published under the and the proverbial poverty of poets :name of Rowley, consist of the tragedy of Ella, the Execution of Sir Charles Bawdin, Ode to Ella, Though sing.song Whitehead ushers in the year, the Battle of Hastings, the Tournament, one or two With joy to Britain's king and sovereign dear, Dialogues, and a description of Canynge's Feast. And, in compliance to an ancient mode, Some of them, as the Ode to Ella (which we sub Measures his syllables into an ode; join), have exactly the air of modern poetry, only Yet such the scurvy merit of his muse, disguised with antique spelling and phraseology. He bows to deans, and licks his lordship’s shoes ; Then leave the wicked barren way of rhyme, The avowed compositions of Chatterton are equally inferior to the forgeries in poetical powers and dic Fly far from poverty, be wise in time: tion ; which is satisfactorily accounted for by Sir Regard the office more, Parnassus less, Walter Scott by the fact, that his whole powers and Put your religion in a decent dress : energies must, at bis early age, have been converted Then may your interest in the town advance, to the acquisition of the obsolete language and pecu Above the reach of muses or romance. liar style necessary to support the deep-laid decep- In a poem entitled The Prophecy are some vigorous tion. He could have had no time for the study of stanzas, in a different measure, and remarkable for our modern poets, their rules of verse, or modes of maturity and freedom of style :-expression; while his whole faculties were intensely This truth of old was sorrow's friend employed in the Herculean task of creating the person, history, and language of an ancient poet, which, "Times at the worst will surely mend.' vast as these faculties were, were sufficient wholly The difficulty's then to know to engross, though not to overburden them.' Å How long Oppression's clock can go; When Britain's sons may cease to sigh, power of picturesque painting seems to be Chatterton's most distinguishing feature as a poet. The And hope that their redemption's nigh. heroism of Sir Charles Bawdin, who When vile Corruption's brazen face At council-board shall take her place; And lords-commissioners resort To welcome her at Britain's court; and who bearded the tyrant king on his way to the scaffold, is perhaps his most striking portrait. The Look up, ye Britons ! cease to sigh, following description of Morning in the tragedy of For your redemption draweth nigh. Ella, is in the style of the old poets : See Pension's harbour, large and clear, Bright sun had in his ruddy robes been dight, Defended by St Stephen's pier! From the red east he flitted with his train; The entrance safe, by current led, The Houris draw away the gate of Night, Tiding round G—'s jetty head; Her sable tapestry was rent in twain : Look up, ye Britons ! cease to sigh, The dancing streaks bedeckëd heaven's plain, For your redemption draweth nigh. And on the dew did smile with skimmering eye, When civil power shall snore at ease ; Like gouts of blood which do black armour stain, While soldiers fire--to keep the peace; Shining upon the bourn which standeth by; When murders sanctuary find, The soldiers stood upon the hillis side, And petticoats can Justice blind; Like young enleaved trees which in a forest bide. Look up, ye Britons ! cease to sigh, A description of Spring in the same poem For your redemption draweth nigh. The budding floweret blushes at the light, Commerce o'er Bondage will prevail, The meads be sprinkled with the yellow hue, Free as the wind that fills her sail. In daisied mantles is the mountain dight, When she complains of vile restraint, The fresh young cowslip bendeth with the dew; And Power is deaf to her complaint; The trees enleafed, into heaven straight, Look up, ye Britons ! cease to sigh, When gentle winds do blow, to whistling din is For your redemption draweth nigh. brought. When at Bute's feet poor Freedom lies, The evening comes, and brings the dews along, Marked by the priest for sacrifice, The ruddy welkin shineth to the eyne, And doomed a victim for the sins Around the ale-stakel minstrels sing the song, Of half the outs and all the ins; Young ivy round the door-post doth entwine; Look up, ye Britons! cease to sigh, I lay me on the grass, yet to my will For your redemption draweth nigh. Albeit all is fair, there lacketh something still. When time shall bring your wish about, In the epistle to Canynge, Chatterton has a striking Or, seven-years lease, you sold, is out; censure of the religious interludes which formed No future contract to fulfil ; the early drama; but the idea, as Warton remarks, Your tenants holding at your will; is the result of that taste and discrimination which Raise up your heads ! your right demandcould only belong to a more advanced period of so For your redemption's in your hand. ciety, Then is your time to strike the blow, And let the slaves of Mammon know, Britain's true sons a bribe can scorn, And die as free as they were born. Virtue again shall take her seat, And your redemption stand complete. The boy who could thus write at sixteen, might soon have proved a Swift or a Dryden. Yet in satire, Chatterton evinced but a small part of his power. His Rowleian poems have a compass of invention, and a luxuriance of fancy, that promised a great chivalrous or allegorical poet of the stamp of Spenser. Bristow Tragedy, or the Death of Sir Charles Baudin.* The feathered songster chanticleer Had wound his bugle-horn, The coming of the morn: of light eclipse the gray, Proclaim the fated day. That sits enthroned on high ! To-day shall surely die.' His knights did on him wait; He leaves this mortal state.' With heart brimful of wo; And to Sir Charles did go. And eke his loving wife, For good Sir Charles's life. • Bad tidings I do bring.' What says the traitor king ?' Does from the welkin fly, That thou shalt surely die.' Of that I'm not afraid ; Thank Jesus, I'm prepared. I'd sooner die to-day, Though I should live for aye.' To tell the mayor straight For good Sir Charles's fate. And fell down on his knee; To move your clemency.' You have been much our friend; • My noble liege! all my request Is for a noble knight, He thought it still was right. All ruined are for aye, Charles Bawdin die to-day.' The king in fury said ; Bawdin shall lose his head : And he shall have his meed: do you need ? My noble liege!' good Canynge said, Leave justice to our God, Be thine the olive rod. The best were sinners great ; In all this mortal state. 'Twill fix thy crown full sure; From race to race thy family All sovereigns shall endure: Begin thy infant reign, Will never long remain.' Has scorned my power and me; How canst thou then for such a man Intreat my clemency?' *My noble liege! the truly brave Will valorous actions prize; Respect a brave and noble mind, Although in enemies.' That did me being give, Whilst this Sir Charles doth live! This sun shall be his last!' And from the presence passed. He to Sir Charles did go, And tears began to flow. "We all must die,' said brave Sir Charles; “What boots it how or when ? Death is the sure, the certain fate, Of all we mortal men. Runs over at thine eye; That thou dost child-like cry!' That thou so soon must die, 'Tis this that wets mine eye.' From godly fountains spring; 84 6 We will to it attend.' * The antiquated orthography affected by Chatterton being evidently no advantage to his poems, but rather an impediment to their being generally read, we dismiss it in this and other specimens. The diction is, in reality, almost purely modern, and Chatterton's spelling in a great measure azbitrary, Bo that there seems no longer any reason for retaining what was only designed at first as a means of supporting a deception. When through the tyrant's welcome means I shall resign my life, For both my sons and wife. This was appointed me; What God ordains to be ? When thousands died around; When smoking streams of crimson blood Imbrued the fattened ground: That cut the airy way, And close mine eyes for aye? Look wan and be dismayed ? Be all the man displayed. And guard thee and thy son, Why, then his will be done. To serve God and my prince; My death will soon convince. In London city was I born, Of parents of great note; Emblazon on his coat: Where soon I hope to go, From out the reach of wo. With pity to unite; The wrong cause from the right: To feed the hungry poor, The hungry from my door: I have his wordis kept; Each night before I slept. If I defiled her bed! Black treason on my head. From flesh I did refrain; To leave this world of pain? I shall not see thy death; Do I resign my breath. Thou wilt ken peace no moe; Thy brooks with blood will flow. And godly Henry's reign, 1 Exchange What though I on a sledge be drawn, And mangled by a hind, He cannot harm my mind: My limbs shall rot in air, And no rich monument of brass Charles Bawdin's name shall bear; Yet in the holy book above, Which time can't eat away, My name shall live for aye. I leave this mortal life : My sons and loving wife! As e'er the month of May; With my dear wife to stay.' To be prepared to die; To God in Heaven to fly.' And clarions to sound; A-prancing on the ground. His loving wife came in, Weeping unfeigned tears of wo With loud and dismal din. In quiet let me die; May look on death as I. my And almost make me wish for life, With thee, sweet dame, to stay. 'Tis but a journey I shall go Unto the land of bliss ; Receive this holy kiss.' Trembling these wordis spoke: My heart is well nigh broke. Without thy loving wife? It eke shall end my life.' To bring Sir Charles away, Who turned to his loving wife, And thus to her did say: Trust thou in God above, And in their hearts him love. That I their father run, Ye officers lead on.' And did her tresses tear; soul away, 'Till tirëd out with raving loud, She fell upon the floor; And marched from out the door. With looks full brave and sweet ; Than any in the street. In scarlet robes and gold, Much glorious to behold: Appearëd to the sight, Of godly monkish plight: Most sweetly they did chant; Behind their back six minstrels came, Who tuned the strange bataunt. Each one the bow did bend, Sir Charles for to defend. Drawn on a cloth-laid sledde, By two black steeds in trappings white, With plumes upon their head. Of archers strong and stout, Marched in goodly rout. Each one his part did chant; Who tuned the strange bataunt. In cloth of scarlet decked ; Like eastern princes tricked. Of citizens did throng; As he did pass along. Sir Charles did turn and say, my soul clean this day.' At the great minster window sat The king in mickle state, To his most welcome fate. That Edward he might hear, And thus his words declare : “Thou seest me, Edward ! traitor vile! Exposed to infamy; I'm greater now than thee. Thou wearest now a crown; By power not thine own. I have been dead till now, For aye upon my brow; Whilst thou, perhaps, for some few years, Shalt rule this fickle land, 'Twixt king and tyrant hand. Shall fall on thy own head'- Departed then the sledde. He turned his head away, He thus did speak and say: No ghastly terrors bring; He's greater than a king! • And may each one our foes Bend down their necks to bloody axe, And feed the carrion crows.' And now the horses gently drew Sir Charles up the high hill; His precious blood to spill. As up a gilded car Gained in the bloody war. • Behold you see me die, For serving loyally my king, My king most rightfully. No quiet you will know; And brooks with blood shall flow. When in adversity ; And for the true cause die.' A prayer to God did make, His parting soul to take. Most seemly on the block; The able headsman stroke: And out the blood began to flow, And round the scaffold twine; And tears, enough to wash't away, Did flow from each man's eyne. Into four partis cut; Upon a pole was put. One on the minster-tower, The crowen did devour. A dreary spectacle; In high street most noble. God prosper long our king, The mystic mazes of thy will, The shadows of celestial light, Are past the power of human skill But what the Eternal acts is right. O teach me in the trying hour, When anguish swells the dewy tear, To still my sorrows, own thy power, Thy goodness love, thy justice fear, If in this bosom aught but Thee Encroaching sought a boundless sway, Omniscience could the danger see, And Mercy look the cause away. Then why, my soul, dost thou complain ! Why drooping seek the dark recess ? For God created all to bless. The rising sigh, the falling tear, The sickness of my soul declare. But yet, with fortitude resigned, l'il thank the inflicter of the blow; Forbid the sigh, compose my mind, Nor let the gush of misery flow. The gloomy mantle of the night, Which on my sinking spirits steals, Will vanish at the morning light, Which God, my East, my Sun, reveals. WILLIAM FALCONER. [The Minstrel's Song in Ella.] 0! sing unto my roundelay; 0! drop the briny tear with me; My love is dead, All under the willow tree. White his neck as summer snow, Ruddy his face as the morning light, Cold he lies in the grave below: My love is dead, All under the willow tree. Quick in dance as thought was he; My love is dead, All under the willow tree. In the briered dell below; My love is dead, All under the willow tree. Whiter is my true-love's shroud; My love is dead, All under the willow tree. Shall the garish flowers be laid, My love is dead, All under the willow tree. Round his holy corse to gre;' My love is dead, All under the willow tree. Drain my heart's blood all away ; My love is dead, All under the willow tree. Bear me to your deadly tide. I die, I come-my true-love waits. Thus the damsel spake, and died. The terrors and circumstances of a Shipwreck had been often described by poets, ancient and modern, but never with any attempt at professional accuracy or minuteness of detail, before the poem of that name by Falconer. It was reserved for a genuine sailor to disclose, in correct and harmonious verse, the 'secrets of the deep,' and to enlist the sympathies of the general reader in favour of the daily life and occupations of his brother seamen, and in all the movements, the equipage, and tracery of those magnificent vessels which have carried the British name and enterprise to the remotest corners of the world. Poetical associations-a feeling of boundlessness and sublimity-obviously belonged to the scene of the poem--the ocean; but its interest soon wanders from this source, and centres in the stately ship and its crew-the gallant resistance which the men made to the fury of the storm-their calm and deliberate courage--the various resources of their skill and ingenuity—their consultations and resolutions as the ship labours in distress--and the brave unselfish piety and generosity with which they meet their fate, when at last The crashing ribs divideShe loosens, parts, and spreads in ruin o'er the tide. Such a subject Falconer justly considered as new to epic lore,' but it possessed strong recommendations to the British public, whose national pride and honour are so closely identified with the sea, and 80 many of whom have some friend, some brother there.' WILLIAM FALCONER was born in Edinburgh in 1730, and was the son of a poor barber, who had two other children, both of whom were deaf and dumb. He went early to sea, on board a Leith merchant ship, and was afterwards in the royal navy. Before he was eighteen years of age, he was second mate in the Britannia, a vessel in the Levant trade, which was shipwrecked off Cape Colonna, as de scribed in his poem. In 1751 he was living in Edinburgh, where he published his first poetical attempt, Resignation. U God, whose thunder shakes the sky, Whose eye this atom globe surveys ; To Thee, my only rock, I fly, Thy mercy in thy justice praise. 2 Water flags. Grow, |