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ing currents rise from the depths. The characteristics of this system of circulation, which is illustrated in the accompanying diagram, are confirmed by the preceding temperature profiles of the Atlantic and Pacific oceans in which the serpentine arrows indicate the regions of ascending circulation and the fair arrows the regions of descending circulation, and yet further by the section showing the distribution of oxygen in the depths of the Atlantic, through which it is evident that waters in the depths of
the ocean in the equatorial regions have been much longer out of contact with the atmosphere than the waters of the temperate latitudes which, descending from recent contact with the atmosphere, contain by absorption about three times as much oxygen as the deep equatorial waters which have ascended from the depths at the close of the long circuit of the bottom waters toward the equator.
Diagram Showing The General Circulation Of The Waters Of The Atlantic Ocean (continuous Arrows Indicate Relatively Warm Water And Dotted Arrows Relatively Cold Water).
These massive movements are in striking contrast with the relatively rapid rate of motion of the surface currents impelled, for the main part, in a clockwise circuit in each of the oceans of the northern hemisphere and in an anticlockwise circuit in each of the oceans of the southern hemisphere, in general accord—as may be seen from the accompanying illustrative chart—with the circuit of the winds, which, in their direct and indirect effects taken in conjunction with the configuration of the continents, constitute the prime agency in originating and maintaining the circulation of the ocean.
U. S. NAVAL INSTITUTE, ANNAPOLIS, MD.
RECKLESS READINGS OF A NAVAL OFFICER .
If to enjoy literature it is necessary to be master of critiques, then we are without privilege to speak of it. If real belles lettres are the only sort worthy of reminiscence, then read no farther here! If one who has not so much brooded with Melpomene as he has laughed with Thalia must be denied acquaintance with the Muses, then our claim to their friendship is small. As a naval officer we are one of a circle where things are more often done than they are read about—military men suffer from lack of exercise of their imaginative faculties. Nevertheless, some sort of bookishness must be conceded to us.
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Since the story of Dick Whittington and his cat, in words of one syllable, hardly can be counted, "The Lady of the Lake" was the first bit of literature to be impressed upon our mind.
When the smallest of kilted boys we had the happiness to possess a bachelor uncle—the only man among the ten thousand inhabitants of the town bold enough to allow himself to be entered in the directory as "gentleman-of-leisure." He toiled not and neither did he spin; unless it be counted toil to work for the pleasure of others, or reckoned spinning to weave rainbows of fairy tales and verse for our gaping and adoring selves.
In a wilderness of a garden there was a cottage, and in that cottage there was a " den," and in that " den " there was a rushbottomed chair with sawed-off legs. Installing us in the chair before him, the bachelor uncle would play: "Oh, Are You Sleepin', Maggie," or " Whistle, And I'll Come To You, My Lad," on his fiddle—the word "violin" was anathema to him. And his fiddling he would accompany by the sweetest whistling we have ever heard except from a song-thrush's bill.
We can understand now that such orchestration must have been by way of sly prelude for what was to follow—his own laughter, perhaps only half humorous, that a grown man should find nothing better to do than to amuse a child.
After the music, old green-bound volume in hand, although he knew whole cantos by heart, he would begin sonorously:
"The stag at eve had drunk his fill
That moon, and that sun, and the twinkle in the bachelor uncle's blue eyes, all dance together in our heart.
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At the school we attended, the masters were all British, counting one Nova Scotian as such. The headmaster, as it happened, was both a Cambrian and a Cantabrigian. By right of his native mountains he had a profound knowledge of the Bible, particularly of the Old Testament; and by right of his alma mater he had a very notable skill as a scansionist of the Roman poets. He could scan Virgil at sight—ability, we are informed, very rare even among Latin scholars. It was he who first put music for us, as well as meaning, into Dido's lament for the faithless Aeneas.
But our memory lingers more on the Scriptural side of the headmaster's talents. Every week he gave a lecture to the school on the Bible. Into this lecture no matter of religion, much less of dogma and doctrine, was allowed to enter, but only the literary and historical character of the great book.
Much of the New Testament and a little of the Old we had learned from others—the headmaster illumined for us Joshua and Judges and the Kings and the Samuels, and Isaiah and Ruth and Job.
The suggestion of mystery and infinite horror in the account of the Danites' terrible visit to Laish chilled our young marrow as we heard it:
"They came unto Laish, unto a people that were at quiet and secure: and they smote them with the edge of the sword, and burnt the city with fire. And there was no deliverer, because it was far from Zidon, and they had no business with any man."
The words " at quiet and secure " have a sinister significance for us to this day.
The story of the wise ladies of the mother of Sisera, who answered her as she cried through the lattice, put strange fancies in our head: "to every man a damsel or two." The essential spirit of the spoiler was in that cry—the same that fired the German lanzknechts in the sacking of Rome, that swept with it Tilly's devils at Magdeburg, that, more recently, whirled on with the same Teutonic fiends into Belgium.
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Alfred Tennyson! A name not to conjure a male with between the ages of 20 and 60!—so far at least as his lyrics are concerned— but very powerful outside those ages.
It was a melody in " The Foresters," which we chanced to see very charmingly acted, that awakened our interest in Tennyson's poetry.
"There is no land like England
Where'er the light of day be;
So beautiful as they be.
And all their sons be free,
Beneath the greenwood tree."
There was a time—we affirm it with little of exaggeration— when we had half of Tennyson's lyrics at our tongue's end, and a great deal of his epical romances as well.
How we gloried in the plump headwaiter at the Cock to which we most resort! And the bitter barmaid, waning fast, was ordered to see that sheets were on our bed so often and so loudly that once the head of the household was compelled to remind us in ominous tones that every moment dies a man!