Turbo-folk Music and Cultural Representations of National Identity in Former YugoslaviaRoutledge, 3. 3. 2016. - 224 страница Turbo-folk music is the most controversial form of popular culture in the new states of former Yugoslavia. Theoretically ambitious and innovative, this book is a new account of popular music that has been at the centre of national, political and cultural debates for over two decades. Beginning with 1970s Socialist Yugoslavia, Uroš Čvoro explores the cultural and political paradoxes of turbo-folk: described as ’backward’ music, whose misogynist and Serb nationalist iconography represents a threat to cosmopolitanism, turbo-folk’s iconography is also perceived as a ’genuinely Balkan’ form of resistance to the threat of neo-liberalism. Taking as its starting point turbo-folk’s popularity across national borders, Čvoro analyses key songs and performers in Serbia, Slovenia and Croatia. The book also examines the effects of turbo on the broader cultural sphere - including art, film, sculpture and architecture - twenty years after its inception and popularization. What is proposed is a new way of reading the relationship of contemporary popular music to processes of cultural, political and social change - and a new understanding of how fundamental turbo-folk is to the recent history of former Yugoslavia and its successor states. |
Садржај
TURBOFOLK AND REPRESENTATIONS OF NATIONAL | |
Turbofolk as the Vanishing Mediator | |
Turbofolk across Cultural and National Boundaries | |
Music and National Identity in the Work of Contemporary | |
Popular Culture and Public Sculpture in Former | |
Turbofolk and Selfexoticisation in the Films | |
Conclusion | |
Bibliography | |
Друга издања - Прикажи све
Turbo-folk Music and Cultural Representations of National Identity in Former ... Uroš ?voro Ограничен приказ - 2016 |
Чести термини и фразе
aesthetic Aleksić Apollo 9 argues articulated artists audience Balkan became Belgrade Bosnia Brena Bruce Lee Ceca chapter colourful thug Čolović communists contemporary art context criminal Croatia crucial cultural space culture icons culture in Yugoslavia Death In Dallas demonstrates discussed Dragojević’s films economic eighties enjoyment ethnic ex-Yugoslavia featured folk music folklore global globalisation gusle highlight Ibid ideological kitsch Kitsch Tax Kosovo Kronja melody Milošević Mirković Music of Yugoslavia Muslim mythology narrative Naskovski national identity nationalist NCFM Neofolk neoliberal nineties nostalgia Parade perceptions of turbo-folk played political pop culture popular culture popular music position postmodernism Pretty Villages RASMC Rasmussen region Representations of National role sculpture self-exoticisation self-management September 2012 Serb Serbia sexual shared culture shift signifier Slavoj Žižek Slovenia social song Southern Wind statues suggests symbolic Tomić traditional transnational turbo turbo-architecture turbo-folk turbo-folk music turbo-folk performers vanishing mediator Volčič Yugoslav Zoran Zoran Đinđić