The American Elocutionist: Comprising 'Lessons in Enunciation', 'Exercises in Elocution', and 'Rudiments of GestureJenks, Palmer, and Company, 1851 - 380 страница |
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Страница 7
... sentiment . It is the predominance or the frequent recurrence of a peculiar cadence , which gives character to the melody of emotion , in successive sentences ; and it is the ju- dicious use of this turn of voice , which , most of all ...
... sentiment . It is the predominance or the frequent recurrence of a peculiar cadence , which gives character to the melody of emotion , in successive sentences ; and it is the ju- dicious use of this turn of voice , which , most of all ...
Страница 58
... sentiment and natural emotion . This kind of vocal force , however , must be carefully distinguished from that of calling or vociferation , with which it has little in common , but which is habitually exemplified by some public speakers ...
... sentiment and natural emotion . This kind of vocal force , however , must be carefully distinguished from that of calling or vociferation , with which it has little in common , but which is habitually exemplified by some public speakers ...
Страница 62
... sentiment ; embracing the mental influ- ence of thought and feeling , blended with the physical influence of space . It is by departing from this man- ner , and approaching to that first mentioned , that those faulty and unnatural tones ...
... sentiment ; embracing the mental influ- ence of thought and feeling , blended with the physical influence of space . It is by departing from this man- ner , and approaching to that first mentioned , that those faulty and unnatural tones ...
Страница 100
... sentiment , can be established without too much risk of an artificial habit ; unless it be this one , that the voice should rise at the last pause before the ca- dence , and even this may be superseded by em- phasis . ' The following ...
... sentiment , can be established without too much risk of an artificial habit ; unless it be this one , that the voice should rise at the last pause before the ca- dence , and even this may be superseded by em- phasis . ' The following ...
Страница 118
... sentiment clearly and forcibly to the mind , and keeps the attention of an audience in active sympathy with the thoughts of the speaker : it gives full value and effect to all that he utters , and secures a lasting impression on the ...
... sentiment clearly and forcibly to the mind , and keeps the attention of an audience in active sympathy with the thoughts of the speaker : it gives full value and effect to all that he utters , and secures a lasting impression on the ...
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The American Elocutionist: Comprising 'Lessons in Enunciation', 'Exercises ... William Russell Приказ није доступан - 2017 |
The American Elocutionist: Comprising 'Lessons in Enunciation', 'Exercises ... William Russell Приказ није доступан - 2016 |
Чести термини и фразе
accent action acute accent appropriate Argentine arising articulation attention beauty cadence cæsura character circumflex clause close commencing common common metre connexion cuckoo declamation deep diphthong distinct effect elocution emotion emphasis emphatic English language enunciation error example exemplified exer EXERCISE expression Fair lords falchion falling inflection fault feeling feet foot force forcible gesture give Glengyle grace grave habit hand heart Heaven honour iambus Ireland king language learner letter liberty light lord Lucca manner meaning mind moderate movement natural never noble o'er orthoepy pass pause Pecksniff peculiar phatic piece pitch poetic poetry position practice preceding produce pronounced pronunciation prose pupils reading requires rising inflection rule Ruph sentence sentiment slide slow sound South Carolina speaker speaking speech spirit spondee stanza style sword syllables tence thee thou thought Tigg tion tone trochee true unaccented utterance verse voice words
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