Myth, Telos, Identity: The Tragic Schema in Greek and Shakespearean DramaRodopi, 2002 - 202 страница Iván Nyusztay's Myth, Telos, Identity: The Tragic Schema in Greek and Shakespearean Drama for the first time presents a systematic comparison of Greek and Shakespearean tragedy. By thematizing the common modes of the tragic, it measures their structural regularities against corresponding philosophical and ethical reflections. The comparative theory of tragedy evolves through a constant debate with the traditional views of Aristotle, Hegel, Schelling, Paul Ricoeur, and others. An architectonic survey of plays leads to a generic distinction between pure tragedy and melodrama, and proposes a possible description of Christian tragedy. This generic differentiation is considered by means of a teleological approach to tragedy as well as from a formal perspective. The criticism of traditional notions of character stresses the relevance of dividedness and internal collision - tragic phenomena which are explored as necessary stages of self in the constitution and formation of tragic or internal alterity. This form of alterity is underpinned by a discussion of action theory and speech act theory. This book will be of interest for readers of Greek and Shakespearean drama, as well as for students of comparative literature and genre theory, classicists and philosophers, and for everyone interested in the relation between literature and philosophy. |
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Страница 15
... significance in tradition . I see reflec- tion as characterized by not only including conflict , but also embrac- ing extra layers of meaning . Among these layers of meaning we find a form of conflict which presents itself between ...
... significance in tradition . I see reflec- tion as characterized by not only including conflict , but also embrac- ing extra layers of meaning . Among these layers of meaning we find a form of conflict which presents itself between ...
Страница 16
... significance and it is in this form that it will be schematically applied . Considering the question of evil and the modes of the tragic I first follow the path offered by philosophical reasoning , then proceed along towards a ...
... significance and it is in this form that it will be schematically applied . Considering the question of evil and the modes of the tragic I first follow the path offered by philosophical reasoning , then proceed along towards a ...
Страница 31
... significance to hamartia without foregrounding their schematic viewpoints . Generally speaking , when explained as moral fault , there is no readjustment offered as in the case of hybris , where if moralized , it is counterbalanced with ...
... significance to hamartia without foregrounding their schematic viewpoints . Generally speaking , when explained as moral fault , there is no readjustment offered as in the case of hybris , where if moralized , it is counterbalanced with ...
Страница 33
... significance of tragic error lies primarily in its role played as a component in plot mecha- nism . Aristotle is concerned with the construction of the whole genre , the consistent , uninterrupted execution of a sequence of events . It ...
... significance of tragic error lies primarily in its role played as a component in plot mecha- nism . Aristotle is concerned with the construction of the whole genre , the consistent , uninterrupted execution of a sequence of events . It ...
Страница 36
... significance to tragic error . This is partly due to a surplus of divine initiation , partly to disproportionate retaliation . The consequences of actions triggered by fault are accumulated according to the pre - ordinance of fate and ...
... significance to tragic error . This is partly due to a surplus of divine initiation , partly to disproportionate retaliation . The consequences of actions triggered by fault are accumulated according to the pre - ordinance of fate and ...
Садржај
3 | |
14 | |
MODES OF THE TRAGIC IN SHAKESPEAREAN DRAMA | 43 |
CHARACTER AND IDENTITY | 63 |
FROM CHARACTER TO SELF | 104 |
FORMS OF ACTION AND PASSIVITY | 129 |
SPEECH ACTS | 150 |
EPILOGUE | 171 |
BIBLIOGRAPHY | 184 |
INDEX | 199 |
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Myth, Telos, Identity: The Tragic Schema in Greek and Shakespearean Drama Iván Nyusztay Приказ није доступан - 2002 |
Чести термини и фразе
actant agent ambiguity appears argued Aristotle Aristotle's Cambridge Chapter character characterization claimed concept conflict consequence context contrast critical crucial death deed defilement defined delusion differential teleology dividedness divine dominant dramatic action ethical schema Euripides evil fate final finitude genre gods Greek and Shakespearean Greek tragedy hamartia Hamlet Hegel heroic human hybris Ibid illocutionary intention isolated katharsis King Lear Lear's Loeb Classical Library London Macbeth meaning melodrama miasma mimesis mode moral murder myth narrative identity nature necessity Nicomachean Ethics objective telos Oedipus Oedipus at Colonus Oxford Paul Ricoeur perlocutionary act perspective philosophy play plot Poetics Polonius present pride prince problematic pure tragedy question recognition reconciliation reflection relation revenge revenge plays Richard Ricoeur role role-play Routledge scene seems selfhood sense sequence Shakespeare Shakespearean tragedy speech act structure teleological Tengelyi term tion tradition tragic experience tragic fulfilment tragic identity tragic schema trans transformed understanding words
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