II.

If thou shalt meet a lassie

In grace and beauty charming,
That e'en thy chosen lassie,
Erewhile thy breast sae warming,
Had ne'er sic powers alarming.

III.

If thou hadst heard her talking,
And thy attentions plighted,
That ilka body talking,

But her by thee is slighted,
And thou art all delighted.

IV.

If thou hast met this fair one;
When frae her thou hast parted,
If every other fair one,

But her, thou hast deserted,
And thou art broken-hearted;
O that's the lassie o' my heart,
My lassie ever dearer;

O that's the queen o' womankind,
And ne'er a ane to peer her.

[Of the air of Morag the Poet was passionately fond; yet it cannot be said that he was more than commonly successful in wedding it to words. The measure which the tune requires is cramp and difficult, and the sentiment is interrupted before it has well begun to flow. This song was found among the papers of Burns; the exact period of its composition is not known, nor has the heroine been named.-ED.]

CALEDONIA.

TUNE- Caledonian Hunt's Delight."

I.

There was once a day-but old Time then was young-
That brave Caledonia, the chief of her line,
From some of your northern deities sprung,
(Who knows not that brave Caledonia's divine?)
From Tweed to the Orcades was her domain,
To hunt, or to pasture, or do what she would :
Her heav'nly relations there fixed her reign,
And pledg'd her their godheads to warrant it good.

II.

A lambkin in peace, but a lion in war,

The pride of her kindred the heroine grew: Her grandsire, old Odin, triumphantly swore "Whoe'er shall provoke thee, th' encounter shall rue!"

With tillage or pasture at times she would sport,
To feed her fair flocks by her green rustling corn;
But chiefly the woods were her fav'rite resort,

Her darling amusement, the hounds and the horn.

III.

Long quiet she reign'd; till thitherward steers
A flight of bold eagles from Adria's strand:
Repeated, successive, for many long years,

They darken'd the air, and they plunder'd the land:
Their pounces were murder, and terror their cry,
They'd conquer'd and ruin'd a world beside;
She took to her hills, and her arrows let fly-
The daring invaders they fled or they died.

IV.

The fell harpy-raven took wing from the north, The scourge of the seas, and the dread of the shore; The wild Scandinavian boar issu'd forth

To wanton in carnage, and wallow in gore: O'er countries and kingdoms their fury prevail'd, No arts could appease them, no arms could repel; But brave Caledonia in vain they assailed,

As Largs well can witness, and Loncartie tell.

V.

The Cameleon-savage disturb'd her repose,
With tumult, disquiet, rebellion, and strife;
Provok'd beyond bearing, at last she arose,

And robb'd him at once of his hopes and his life: The Anglian lion, the terror of France,

Oft prowling, ensanguin'd the Tweed's silver flood: But, taught by the bright Caledonian lance,

He learned to fear in his own native wood.

VI.

Thus bold, independent, unconquer'd, and free,
Her bright course of glory for ever shall run :
For brave Caledonia immortal must be ;

I'll prove it from Euclid as clear as the sun :
Rectangle-triangle, the figure we'll choose,

The upright is Chance, and old Time is the base; But brave Caledonia's the hypothenuse;

Then ergo, she'll match them, and match them always.

[There is both knowledge of history and elegance of allegory in this singular song; but the most remarkable part is the conclusion, where the Poet proves, by mathematical demonstration, the immortality of Caledonia. It was one of those pieces on which he set little store; but it may be observed of this as it has been remarked of others of his productions, that it bears the stamp of national love and of a manly understanding. Indeed, in the hastiest snatch he ever penned, some happy touch will be found denoting the hand of the master-some singular thought or felicitous line-easy to him and unattainable to others.-ED.]

O LAY THY LOOF IN MINE, LASS.

Tune-" Cordwainer's March."

I.

O lay thy loof in mine, lass,

In mine, lass, in mine, lass;
And swear on thy white hand, lass,
That thou wilt be my ain.
A slave to love's unbounded sway,
He aft has wrought me meikle wae;
But now he is my deadly fae,

Unless thou be my ain.

II.

There's monie a lass has broke my rest,
That for a blink I hae lo'ed best;

But thou art queen within my breast,
For ever to remain.

O lay thy loof in mine, lass,

In mine, lass, in mine, lass;

And swear on thy white hand, lass,
That thou wilt be my ain.

[The air for which these verses were written is commonly played on King Crispin's day, when the shoemakers hold a sort of saturnalia, and with pennons displayed, and trumpet and drum, march through our northern borough towns, attired like kings, princes of the blood, senators, ambassadors, and warriors. The

1