These Shapes of awful fantasy?
To what untrodden shore?
Less than divine command they spurn;
But this we from the mountains learn,
And this the valleys show;
That never will they deign to hold
Communion where the heart is cold
To human weal and woe.
The man of abject soul in vain
Shall walk the Marathonian plain;
Or thrid the shadowy gloom,
That still invests the guardian Pass,
Where stood, sublime, Leonidas
Devoted to the tomb.
And let no Slave his head incline,
Or kneel, before the votive shrine
By Uri's lake, where Tell
Leapt, from his storm-vext boat, to land,
Heaven's Instrument, for by his hand
That day the Tyrant fell.
IN THE PLEASURE-GROUND ON THE BANKS OF THE BRAN, NEAR DUNKELD.
"The waterfall, by a loud roaring, warned us when we must expect it. We were first, however, conducted into a small apartment, where the Gardener desired us to look at a picture of Ossian, which, while he was telling the history of the young Artist who executed the work, disappeared, parting in the middle, -flying asunder as by the touch of magic, -and lo! we are at the entrance of a splendid apartment, which was almost dizzy and alive with waterfalls, that tumbled in all directions; the great cascade, opposite the window, which faced us, being reflected in innumerable mirrors upon the ceiling and against the walls." Extract from the Journal of my Fellow-Traveller.
WHAT! he who, 'mid the kindred throng
Of Heroes that inspired his song,
Doth yet frequent the hill of storms,
The stars dim-twinkling through their forms!—
Mute fixture on the stuccoed wall;
To serve, an unsuspected screen,
For show that must not yet be seen;
And, when the moment comes, to part
And vanish by mysterious art;
Head, harp, and body split asunder,
For ingress to a world of wonder
A gay saloon, with waters dancing
Upon the sight wherever glancing;
One loud cascade in front, and lo!
A thousand like it, white as snow,
Streams on the walls, and torrent-foam
As active round the hollow dome,
Illusive cataracts! of their terrors
Not stripped, nor voiceless in the mirrors,
That catch the pageant from the flood
Thundering adown a rocky wood.
What pains to dazzle and confound!
What strife of color, shape, and sound
In that quaint medley, that might seem
Devised out of a sick man's dream!
Strange scene, fantastic and uneasy
As ever made a maniac dizzy,
When disenchanted from the mood
That loves on sullen thoughts to brood!
in thy changeful visions,
Through all thy most abrupt transitions
Smooth, graceful, tender, or sublime, -
Ever averse to pantomime,
Thee neither do they know nor us
Thy servants, who can trifle thus ;
Else verily the sober powers
Of rock that frowns, and stream that roars,
Exalted by congenial sway
Of Spirits, and the undying Lay,
And Names that moulder not away,
Had wakened some redeeming thought
More worthy of this favored Spot;
Recalled some feeling, to set free
The Bard from such indignity!
The Effigies of a valiant Wight
I once beheld, a Templar Knight;
Not prostrate, not like those that rest
On tombs, with palms together prest,
But sculptured out of living stone,
And standing upright and alone,
Both hands in rival energy
Employed in setting his sword free
From its dull sheath,
Intent to guard St. Robert's cell;
As if with memory of the affray
Far distant, when, as legends say,
The Monks of Fountain's thronged to force
From its dear home the Hermit's corse,
That in their keeping it might lie,
To crown their abbey's sanctity.
So had they rushed into the grot
Of sense despised, a world forgot,
And torn him from his loved retreat,
Where altar-stone and rock-hewn seat
Still hint that quiet best is found,
Even by the Living, under ground;
But a bold Knight, the selfish aim
Defeating, put the Monks to shame,
There where you see his Image stand
Bare to the sky, with threatening brand,
* On the banks of the river Nid, near Knaresborough.
Which lingering NID is proud to show
Reflected in the pool below.
Thus, like the men of earliest days,
Our sires set forth their grateful praise:
Uncouth the workmanship, and rude!
But, nursed in mountain solitude,
Might some aspiring artist dare
To seize whate'er, through misty air,
A ghost, by glimpses, may present
Of imitable lineament,
And give the phantom an array
That less should scorn the abandoned clay;
Then let him hew with patient stroke
An Ossian out of mural rock,
And leave the figurative Man
Upon thy margin, roaring Bran!-
Fixed, like the Templar of the steep,
An everlasting watch to keep;
With local sanctities in trust,
More precious than a hermit's dust;
And virtues through the mass infused,
Which old idolatry abused.
What though the Granite would deny All fervor to the sightless eye;
And touch from rising suns in vain
Solicit a Memnonian strain;
Yet, in some fit of anger sharp,
The wind might force the deep-grooved harp
To utter melancholy moans,
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