Tolstoy on Shakespeare: A Critical Essay on ShakespeareFunk & Wagnalls Company, 1906 - 167 страница |
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Страница 8
... tion . " " Lear is the occasion for Cordelia , " says Victor Hugo . " Maternity of the daughter toward the father ; profound subject ; mater- nity venerable among all other maternities , so admirably rendered by the legend of that Roman ...
... tion . " " Lear is the occasion for Cordelia , " says Victor Hugo . " Maternity of the daughter toward the father ; profound subject ; mater- nity venerable among all other maternities , so admirably rendered by the legend of that Roman ...
Страница 28
... tion in the place ! False justice , why hast thou let her ' scape ? " This raving terminates by Lear falling asleep and Gloucester persuading Kent , still without recognizing him , to carry Lear to Dover , and Kent and the fool carry ...
... tion in the place ! False justice , why hast thou let her ' scape ? " This raving terminates by Lear falling asleep and Gloucester persuading Kent , still without recognizing him , to carry Lear to Dover , and Kent and the fool carry ...
Страница 52
... is asserted with such confidence and repeated by all as indisputable truth ; but however much I endeavored to find confirma- tion of this in Shakespeare's dramas , I always found the opposite . In reading any of Shake- speare's.
... is asserted with such confidence and repeated by all as indisputable truth ; but however much I endeavored to find confirma- tion of this in Shakespeare's dramas , I always found the opposite . In reading any of Shake- speare's.
Страница 81
... is seen : the ex- aggeration of events , the exaggeration of emo- tion , and the exaggeration of effects . One sees at once that he does not believe in what he says , that it is of no necessity to TOLSTOY ON SHAKESPEARE 81.
... is seen : the ex- aggeration of events , the exaggeration of emo- tion , and the exaggeration of effects . One sees at once that he does not believe in what he says , that it is of no necessity to TOLSTOY ON SHAKESPEARE 81.
Страница 93
... tion of the work of art being infected with the author's feeling . If the author does not ac- tually feel what he expresses , then the recip- ient can not become infected with the feeling of the author , does not experience any feeling ...
... tion of the work of art being infected with the author's feeling . If the author does not ac- tually feel what he expresses , then the recip- ient can not become infected with the feeling of the author , does not experience any feeling ...
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admirers altho artistic asks Aylmer Maude banished begins believe Cæsar calls character CHIGAN Christian comedy Cordelia Coriolanus courtiers curses Goneril Cymbeline daughter demands Desdemona dramatic art dramatist Dreyfus Duke of Albany Duke of Burgundy Edgar Edmund endeavor English enters Esarhaddon essay evil exaggerated expressed extol eyes Falstaff father feeling fool fourth act French genius gentleman Georges Sand give Gloucester Gloucester's castle Hamlet heath Henry Henry VI hero Julius Cæsar Kent kill King Lear Lear's Leir letter living lower classes MICHIGAN monolog moral natural noble old drama older drama Othello peasant person play poet powerful reader or spectator recognize Regan religious represented says Gervinus servant Shake Shakespeare Shakespeare's dramas Shakespeare's fame speak speare speare's speeches teaching tells Tempest thee things thou thought tion Tolstoy's translation Troilus and Cressida UNIV unnatural utter utterly villain WAGNALLS COMPANY Wat Tyler wishes words worship write
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Страница 149 - Sans check, to good and bad: but when the planets In evil mixture to disorder wander, What plagues, and what portents, what mutiny, What raging of the sea. shaking of earth, Commotion in the winds, frights, changes, horrors, Divert and crack, rend and deracinate The unity and married calm of states Quite from their fixture!
Страница 144 - We'll hear him, we'll follow him, we'll die with him. Ant. Good friends, sweet friends, let me not stir you up To such a sudden flood of mutiny. They that have done this deed are...
Страница 162 - To kings, that fear their subjects' treachery? O, yes it doth ; a thousand-fold it doth. And to conclude, — the shepherd's homely curds, His cold thin drink out of his leather bottle, His wonted sleep under a fresh tree's shade, All which secure and sweetly he enjoys, Is far beyond a prince's delicates, His viands sparkling in a golden cup, His body couched in a curious bed, When care, mistrust, and treason wait on him.
Страница 45 - The weight of this sad time we must obey, Speak what we feel, not what we ought to say. The oldest hath borne most : we that are young Shall never see so much, nor live so long.
Страница 13 - The mysteries of Hecate, and the night ; By all the operation of the orbs From whom we do exist and cease to be ; Here I disclaim all my paternal care, Propinquity and property of blood, And as a stranger to my heart and me Hold thee from this for ever. The barbarous Scythian, Or he that makes his generation messes To gorge his appetite, shall to my bosom Be as well neighbour'd, pitied and relieved, As thou my sometime daughter.
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Страница 149 - And therefore is the glorious planet Sol In noble eminence enthron'd and spher'd Amidst the other; whose med'cinable eye Corrects the ill aspects of planets evil, And posts, like the commandment of a king, Sans check to good and bad...
Страница 159 - All things in common nature should produce Without sweat or endeavour: treason, felony, Sword, pike, knife, gun, or need of any engine, Would I not have; but nature should bring forth, Of its own kind, all foison, all abundance, To feed my innocent people.
Страница 149 - How could communities, Degrees in schools, and brotherhoods in cities, Peaceful commerce from dividable shores The primogenitive and due of birth, Prerogative of age, crowns, sceptres, laurels, But by degree, stand in authentic place? Take but degree away, untune that string And hark! what discord follows...