Lectures on the History and Principles of PaintingLongman, Rees, Orme, Brown, Green & Longman, 1833 - 477 страница |
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Страница 9
... Titian , by Julio Romano , and the Caracci ; has produced the landscapes of Claude , of Pous- sin , and of Wilson ; has entered even into the Dutch and Flemish schools , and given us the works of Rubens , of Terberg , and Metzu ; and ...
... Titian , by Julio Romano , and the Caracci ; has produced the landscapes of Claude , of Pous- sin , and of Wilson ; has entered even into the Dutch and Flemish schools , and given us the works of Rubens , of Terberg , and Metzu ; and ...
Страница 81
... Titian , Vandyke , or our own delightful en- chanter , Sir Joshua . Considering that they flourished at the same period , and divided the attention of the world of art in their day , were employed by the same dig- nified persons , and ...
... Titian , Vandyke , or our own delightful en- chanter , Sir Joshua . Considering that they flourished at the same period , and divided the attention of the world of art in their day , were employed by the same dig- nified persons , and ...
Страница 94
... Titian ; or that of the Lombards , as practised by the great master of their school , Coreggio . The painting of the Venetians lives in fame by the force of qualities of which the Florentines comparatively knew little or nothing ; or ...
... Titian ; or that of the Lombards , as practised by the great master of their school , Coreggio . The painting of the Venetians lives in fame by the force of qualities of which the Florentines comparatively knew little or nothing ; or ...
Страница 97
... Titian * , Tintoretto , and Paul Veronese , the school is indebted for the most perfect application of this system of colour- ing , already prepared . To the theory which regulates the arrange- ment of colours in a picture , Giorgione ...
... Titian * , Tintoretto , and Paul Veronese , the school is indebted for the most perfect application of this system of colour- ing , already prepared . To the theory which regulates the arrange- ment of colours in a picture , Giorgione ...
Страница 98
... Titian more particularly . By them also portraiture was first established on a true and solid basis . Titian enjoyed by much the longer life , and therefore we have the more numerous body of examples from him ; but those of Giorgione ...
... Titian more particularly . By them also portraiture was first established on a true and solid basis . Titian enjoyed by much the longer life , and therefore we have the more numerous body of examples from him ; but those of Giorgione ...
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Чести термини и фразе
action admiration adopted adorn agreeable application arrangement art of painting artist attention beauty breadth character Chiaro-oscuro church Cimabue colour combinations composition contrasts convey Coreggio cultivation degree delight direct display Domenichino draperies effect elevated employed endeavour engaged exalted excellence excite execution exhibited expression feeling Florentine Florentine school Fra Bartolomeo fulness genius Giorgione Giotto grace grandeur gratify Greeks Heliodorus honour hues imagination imitation imitative power imperfect important impress influence ingenious invention Italy knowledge labours Last Judgment LECTURE light and dark light and shade Masaccio masters means ment Michel Angelo mind mode nature object observer obtained ornamental painter peculiar perfect pleasure portion practice principles produce propriety purposes qualities racter Raffaelle refined Rembrandt rendered Rubens scenes selection sense sentiment Sir Joshua Reynolds style taste Tintoretto tion Titian tone truth ture union variety Vatican Venetian Venetian school whilst wrought
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Страница 198 - Last noon beheld them full of lusty life, Last eve in Beauty's circle proudly gay, The midnight brought the signal-sound of strife, The morn the marshalling in arms - the day Battle's magnificently stern array...
Страница 195 - The other Shape — If shape it might be called that shape had none Distinguishable in member, joint, or limb...
Страница 196 - The other shape, If shape it might be called that shape had none Distinguishable, in member, joint, or limb; Or substance might be called that shadow seemed, For each seemed either; black he stood as night; Fierce as ten furies; terrible as hell; And shook a deadly dart. What seemed his head The likeness of a kingly crown had on.
Страница 312 - The poetry of Shakespear was inspiration indeed : he is not so much an imitator, as an instrument, of Nature ; and it is not so just to say that he speaks from her, as that she speaks through him.
Страница i - If to do were as easy as to know what were^ good to do, chapels had been churches, and poor men's cottages princes' palaces. It is a good divine that follows his own instructions: I can easier teach twenty what were good to be done, than be one of the twenty to follow mine own teaching.
Страница 251 - Yet nature is made better by no mean, But nature makes that mean: so, o'er that art, Which you say adds to nature, is an art That nature makes.
Страница 447 - Thus if .a portrait-painter is desirous to raise and improve his subject, he has no other means than by approaching it to a general idea. He leaves out all the minute breaks and peculiarities in the face, and changes the dress from a temporary fashion to one more permanent. which has annexed to it no ideas of meanness from its being familiar to us.
Страница 197 - So spake the grisly terror, and in shape, So speaking and so threatening, grew tenfold More dreadful and deform. On...
Страница 370 - The common error that his colours all fail, ought by this time to be entirely effaced. It is too true that this is the case with the colouring of many pictures painted by him during a short period of his life; he thought that he had discovered a mode of rendering colouring more vivid, and employed it without duly considering the chemical qualities of his materials. But he was soon made acquainted with the mistake he had committed, reassumed his durable system with increased beauty and vigour, and...
Страница 343 - Consonance, or harmony of hue, consists in those colours being brought together, which, though they may not be placed exactly in the regular order seen in the rainbow or in the chromatic scale, yet act in accordance with each other upon the eye, and produce no uneasy sensations within it, but rather afford it pleasure.