Lectures on the History and Principles of PaintingLongman, Rees, Orme, Brown, Green & Longman, 1833 - 477 страница |
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Страница xviii
... regard , and none can honour . These circumstances , which must ever operate , too commonly , but too naturally also , deprive the art of that respectful consideration generally , which in itself and in its best purposes , it merits ...
... regard , and none can honour . These circumstances , which must ever operate , too commonly , but too naturally also , deprive the art of that respectful consideration generally , which in itself and in its best purposes , it merits ...
Страница xxiv
... regard in the ele- vation and purity given to the pleasures of so- ciety by the embellishments of taste , or in the honour and the dignity which has always accom- panied the cultivation of the liberal arts ! To preserve mementos of the ...
... regard in the ele- vation and purity given to the pleasures of so- ciety by the embellishments of taste , or in the honour and the dignity which has always accom- panied the cultivation of the liberal arts ! To preserve mementos of the ...
Страница xxvii
... regard , it is gratifying to know , that the means whereby may be wrought lie within a very small com- pass , allowing time to form a portion of those means ; and low indeed must be the state of the public finances if it could be at all ...
... regard , it is gratifying to know , that the means whereby may be wrought lie within a very small com- pass , allowing time to form a portion of those means ; and low indeed must be the state of the public finances if it could be at all ...
Страница 4
... regard the labour bestowed , nor the materials employed : we consider as of value only the de- gree of excellence produced ; " and it is the glory of the art of painting , that , by an in- genious application of the mind , materials of ...
... regard the labour bestowed , nor the materials employed : we consider as of value only the de- gree of excellence produced ; " and it is the glory of the art of painting , that , by an in- genious application of the mind , materials of ...
Страница 32
... regard , that picture by Cimabue * , produced forty years afterwards , which was so triumphantly carried in procession to its destined place in the church of Santa Maria Novella , where it now is . Lanzi , in his Storia Pittorica ...
... regard , that picture by Cimabue * , produced forty years afterwards , which was so triumphantly carried in procession to its destined place in the church of Santa Maria Novella , where it now is . Lanzi , in his Storia Pittorica ...
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Чести термини и фразе
action admiration adopted adorn agreeable application arrangement art of painting artist attention beauty breadth character Chiaro-oscuro church Cimabue colour combinations composition contrasts convey Coreggio cultivation degree delight direct display Domenichino draperies effect elevated employed endeavour engaged exalted excellence excite execution exhibited expression feeling Florentine Florentine school Fra Bartolomeo fulness genius Giorgione Giotto grace grandeur gratify Greeks Heliodorus honour hues imagination imitation imitative power imperfect important impress influence ingenious invention Italy knowledge labours Last Judgment LECTURE light and dark light and shade Masaccio masters means ment Michel Angelo mind mode nature object observer obtained ornamental painter peculiar perfect pleasure portion practice principles produce propriety purposes qualities racter Raffaelle refined Rembrandt rendered Rubens scenes selection sense sentiment Sir Joshua Reynolds style taste Tintoretto tion Titian tone truth ture union variety Vatican Venetian Venetian school whilst wrought
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Страница 198 - Last noon beheld them full of lusty life, Last eve in Beauty's circle proudly gay, The midnight brought the signal-sound of strife, The morn the marshalling in arms - the day Battle's magnificently stern array...
Страница 195 - The other Shape — If shape it might be called that shape had none Distinguishable in member, joint, or limb...
Страница 196 - The other shape, If shape it might be called that shape had none Distinguishable, in member, joint, or limb; Or substance might be called that shadow seemed, For each seemed either; black he stood as night; Fierce as ten furies; terrible as hell; And shook a deadly dart. What seemed his head The likeness of a kingly crown had on.
Страница 312 - The poetry of Shakespear was inspiration indeed : he is not so much an imitator, as an instrument, of Nature ; and it is not so just to say that he speaks from her, as that she speaks through him.
Страница i - If to do were as easy as to know what were^ good to do, chapels had been churches, and poor men's cottages princes' palaces. It is a good divine that follows his own instructions: I can easier teach twenty what were good to be done, than be one of the twenty to follow mine own teaching.
Страница 251 - Yet nature is made better by no mean, But nature makes that mean: so, o'er that art, Which you say adds to nature, is an art That nature makes.
Страница 447 - Thus if .a portrait-painter is desirous to raise and improve his subject, he has no other means than by approaching it to a general idea. He leaves out all the minute breaks and peculiarities in the face, and changes the dress from a temporary fashion to one more permanent. which has annexed to it no ideas of meanness from its being familiar to us.
Страница 197 - So spake the grisly terror, and in shape, So speaking and so threatening, grew tenfold More dreadful and deform. On...
Страница 370 - The common error that his colours all fail, ought by this time to be entirely effaced. It is too true that this is the case with the colouring of many pictures painted by him during a short period of his life; he thought that he had discovered a mode of rendering colouring more vivid, and employed it without duly considering the chemical qualities of his materials. But he was soon made acquainted with the mistake he had committed, reassumed his durable system with increased beauty and vigour, and...
Страница 343 - Consonance, or harmony of hue, consists in those colours being brought together, which, though they may not be placed exactly in the regular order seen in the rainbow or in the chromatic scale, yet act in accordance with each other upon the eye, and produce no uneasy sensations within it, but rather afford it pleasure.