George Orwell: The Politics of Literary ReputationTransaction Publishers, 31. 12. 2001. - 510 страница "A remarkably thorough examination of how Orwell's reputation has grown over the four decades since his death.This is a book that all future Orwell scholars will need to consult and take into account."-New York Times "The most remarkable book I have yet read on how reputations come into being.A pioneer work in its genre, teaching us how little fame is usually dependent on the nature of a writer's achievement."-Toronto Globe and Mail The making of literary reputations is as much a reflection of a writer's surrounding culture and politics as it is of the intrinsic quality and importance of his work. The current stature of George Orwell, commonly recognized as the foremost political journalist and essayist of the century, provides a notable instance of a writer whose legacy has been claimed from a host of contending political interests. The exemplary clarity and force of his style, the rectitude of his political judgment along with his personal integrity have made him, as he famously noted of Dickens, a writer well worth stealing. Thus, the intellectual battles over Orwell's posthumous career point up ambiguities in Orwell's own work as they do in the motives of his would-be heirs. John Rodden's George Orwell: The Politics of Literary Reputation, breaks new ground in bringing Orwell's work into proper focus while providing much original insight into the phenomenon of literary fame. Rodden's intent is to clarify who Orwell was as a writer during his lifetime and who he became after his death. He explores the dichotomies between the novelist and the essayist, the socialist and the anti-communist and the contrast between his day-to-day activities as a journalist and his latter-day elevation to political prophet and secular saint. Rodden's approach is both contextual and textual, analyzing available reception materials on Orwell along with audiences and publications decisive for shaping his reputation. He then offers a detailed historical and biographical interpretation of the reception scene analyzing how and why did individuals and audiences cast Orwell in their own images and how these projected images served their own political needs and aspirations. Examined here are the views of Orwell as quixotic moralist, socialist renegade, anarchist, English patriot, neo-conservative, forerunner of cultural studies, and even media and commercial star. Rodden concludes with a consideration of the meaning of Orwell's life and work for the future. John Rodden is professor of rhetoric at the University of Texas at Austin. |
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Страница xii
... radical left-wing platform, even if their allegiance is to an independent, democratic socialism in Orwell's tradition. None of this means that Orwell and Nineteen Eighty-Four are xii INTRODUCTION TO THE TRANSACTION EDITION.
... radical left-wing platform, even if their allegiance is to an independent, democratic socialism in Orwell's tradition. None of this means that Orwell and Nineteen Eighty-Four are xii INTRODUCTION TO THE TRANSACTION EDITION.
Страница 24
... radical Left critics have argued. It is simply that the man, his work, and political events so converged as to make Orwell both famous and widely misunderstood at the same time. Nineteen Eighty-Four suffered similar ideological ...
... radical Left critics have argued. It is simply that the man, his work, and political events so converged as to make Orwell both famous and widely misunderstood at the same time. Nineteen Eighty-Four suffered similar ideological ...
Страница 27
... radical, who became "disillusioned" with socialism, and some conservatives implied or argued that he was tending toward Conservatism or religious belief during his last years. Conservative intellectuals (Christopher Hollis, Russell Kirk) ...
... radical, who became "disillusioned" with socialism, and some conservatives implied or argued that he was tending toward Conservatism or religious belief during his last years. Conservative intellectuals (Christopher Hollis, Russell Kirk) ...
Страница 28
... radical-liberal Village Voice, Orwell's travels to and from Wigan Pier were the "Chronicles of a Decent Man."55 The press meanwhile invoked Orwell to denounce Newspeak of the East and West, from the mysterious deaths of dissidents in ...
... radical-liberal Village Voice, Orwell's travels to and from Wigan Pier were the "Chronicles of a Decent Man."55 The press meanwhile invoked Orwell to denounce Newspeak of the East and West, from the mysterious deaths of dissidents in ...
Страница 29
... the literary academy, see Chapter Six, Section 22, Canonization and the Curriculum: Orwell in the Classroom (pp. 382-98). of radical "progressive" intellectuals whom he (and Labedz) despised. Pretending ORWELL INTO THE NINETIES 29.
... the literary academy, see Chapter Six, Section 22, Canonization and the Curriculum: Orwell in the Classroom (pp. 382-98). of radical "progressive" intellectuals whom he (and Labedz) despised. Pretending ORWELL INTO THE NINETIES 29.
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3 | |
13 | |
Conditions Constraints | 53 |
PART TWO THE PORTRAIT GALLERY | 103 |
Chapter Four The Common Man | 171 |
Chapter Five The Prophet | 244 |
Chapter Six The Saint | 322 |
The Intellectual | 399 |
Acknowledgments | 406 |
A Glossary | 465 |
Index | 497 |
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