George Orwell: The Politics of Literary ReputationTransaction Publishers, 31. 12. 2001. - 510 страница "A remarkably thorough examination of how Orwell's reputation has grown over the four decades since his death.This is a book that all future Orwell scholars will need to consult and take into account."-New York Times "The most remarkable book I have yet read on how reputations come into being.A pioneer work in its genre, teaching us how little fame is usually dependent on the nature of a writer's achievement."-Toronto Globe and Mail The making of literary reputations is as much a reflection of a writer's surrounding culture and politics as it is of the intrinsic quality and importance of his work. The current stature of George Orwell, commonly recognized as the foremost political journalist and essayist of the century, provides a notable instance of a writer whose legacy has been claimed from a host of contending political interests. The exemplary clarity and force of his style, the rectitude of his political judgment along with his personal integrity have made him, as he famously noted of Dickens, a writer well worth stealing. Thus, the intellectual battles over Orwell's posthumous career point up ambiguities in Orwell's own work as they do in the motives of his would-be heirs. John Rodden's George Orwell: The Politics of Literary Reputation, breaks new ground in bringing Orwell's work into proper focus while providing much original insight into the phenomenon of literary fame. Rodden's intent is to clarify who Orwell was as a writer during his lifetime and who he became after his death. He explores the dichotomies between the novelist and the essayist, the socialist and the anti-communist and the contrast between his day-to-day activities as a journalist and his latter-day elevation to political prophet and secular saint. Rodden's approach is both contextual and textual, analyzing available reception materials on Orwell along with audiences and publications decisive for shaping his reputation. He then offers a detailed historical and biographical interpretation of the reception scene analyzing how and why did individuals and audiences cast Orwell in their own images and how these projected images served their own political needs and aspirations. Examined here are the views of Orwell as quixotic moralist, socialist renegade, anarchist, English patriot, neo-conservative, forerunner of cultural studies, and even media and commercial star. Rodden concludes with a consideration of the meaning of Orwell's life and work for the future. John Rodden is professor of rhetoric at the University of Texas at Austin. |
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Страница ix
... sometimes touched on private matters that my interviewees declined to share for the public record — that personal contact with the principals themselves, with the historical actors who participated in and shaped that record, is ...
... sometimes touched on private matters that my interviewees declined to share for the public record — that personal contact with the principals themselves, with the historical actors who participated in and shaped that record, is ...
Страница xvii
... sometimes indefinable, aesthetic attributes of works contribute to authors' reputations. For we should neither reduce reputation merely to an interaction among institutional forces nor presume cynically that all established judgments ...
... sometimes indefinable, aesthetic attributes of works contribute to authors' reputations. For we should neither reduce reputation merely to an interaction among institutional forces nor presume cynically that all established judgments ...
Страница 9
... by some observers and the variety of inspirational images in which they have cast him sometimes make him appear almost like Joseph Campbell's "hero with a thousand faces." "Kidnaping Our Hero" is in fact a INTRODUCTION 9.
... by some observers and the variety of inspirational images in which they have cast him sometimes make him appear almost like Joseph Campbell's "hero with a thousand faces." "Kidnaping Our Hero" is in fact a INTRODUCTION 9.
Страница 10
... Sometimes the acknowledgments by other writers of Orwell's "presence" in their lives are startlingly open and unrestrained. Characterizations of Orwell by Anglo-American intellectuals of the Left and Right — to Lionel Trilling the ...
... Sometimes the acknowledgments by other writers of Orwell's "presence" in their lives are startlingly open and unrestrained. Characterizations of Orwell by Anglo-American intellectuals of the Left and Right — to Lionel Trilling the ...
Страница 11
... sometimes best approached by way of the particular. A writer can be peculiarly representative of his age or craft by the very fact of his distinctiveness; Orwell's single history remarkably touches, often in the capacity of the writer ...
... sometimes best approached by way of the particular. A writer can be peculiarly representative of his age or craft by the very fact of his distinctiveness; Orwell's single history remarkably touches, often in the capacity of the writer ...
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3 | |
13 | |
Conditions Constraints | 53 |
PART TWO THE PORTRAIT GALLERY | 103 |
Chapter Four The Common Man | 171 |
Chapter Five The Prophet | 244 |
Chapter Six The Saint | 322 |
The Intellectual | 399 |
Acknowledgments | 406 |
A Glossary | 465 |
Index | 497 |
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