Annals of the Fine Arts, Том 4Sherwood, Neely, and Jones, 1820 |
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Резултати 6-10 од 68
Страница 528
... character of the column , and for the altitude at which it is placed ; owing to which its minute ornaments are not discernible : an in- convenience which must always in a greater or less degree result from supercolumniation . would ...
... character of the column , and for the altitude at which it is placed ; owing to which its minute ornaments are not discernible : an in- convenience which must always in a greater or less degree result from supercolumniation . would ...
Страница 532
... character of the people . No English party can be entrusted by themselves even in a garden where there are flowers or fruit . The flowers they pick from mere wantonness , and in a few moments throw them over into the road , or drop them ...
... character of the people . No English party can be entrusted by themselves even in a garden where there are flowers or fruit . The flowers they pick from mere wantonness , and in a few moments throw them over into the road , or drop them ...
Страница 543
... character of power be- longing to it , some precise association with plea- sure or pain and it is in giving this truth of cha- racter from the truth of feeling , whether in the highest or the lowest degree , but always in the highest ...
... character of power be- longing to it , some precise association with plea- sure or pain and it is in giving this truth of cha- racter from the truth of feeling , whether in the highest or the lowest degree , but always in the highest ...
Страница 544
... character , the living principle in it - it is a smooth surface , not a warm moving mass — it is painted without passion , with indifference - the hand only has been concerned . The impression slides off from the eye , and does not ...
... character , the living principle in it - it is a smooth surface , not a warm moving mass — it is painted without passion , with indifference - the hand only has been concerned . The impression slides off from the eye , and does not ...
Страница 546
... character , to the objects of his pencil , where every circumstance adds to the effect of the scene , the bold trunks of the tall forest trees , the trailing ground plants ; with that cold convent spire rising in the distance amidst the ...
... character , to the objects of his pencil , where every circumstance adds to the effect of the scene , the bold trunks of the tall forest trees , the trailing ground plants ; with that cold convent spire rising in the distance amidst the ...
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Чести термини и фразе
acid admiration ancient animal Antiquities Apicius appears architect architecture artists AUTORI Lar avanti baths of Titus beautiful Benjamin West blue buildings Camden Town Cavendish-square celebrated character Charlotte-street chrysocolla colour columns copper Covent Garden Detto Dick Domestic edifice effect elegant English engraving esemplari excellence executed exhibition expression favour feeling figure Fitzroy-square gallery genius gesture ghez graceful Grecian Greeks Gusto H. R. H. the Prince hand Haydon History and Portrait honour HUMPHRY DAVY intaglio John labour Landscape lectures Lettere Majesty masters ment mind Miniature monument Morghen muriatic acid nature New-road Newman-street object observed ochres ornaments oxide painter painting Pentonville perfect picture PLINY Pompeii possess present Prince Regent principal produced Raffaelle Ritratto Roman Rome Royal Academy says sculpture Soane Soho statue style taste temples THEOPHRASTUS thing tint tion Titian VITRUVIUS West Wilkie William yellow
Популарни одломци
Страница 638 - Ah, happy, happy boughs! that cannot shed Your leaves, nor ever bid the Spring adieu; And, happy melodist, unwearied, For ever piping songs for ever new; More happy love! more happy, happy love! For ever warm and still to be enjoy'd, For ever panting, and for ever young; All breathing human passion far above. That leaves a heart high-sorrowful and cloy'd, A burning forehead, and a parching tongue.
Страница 131 - And he answered and said unto them, I tell you that, if these should hold their peace, the stones would immediately cry out.
Страница 638 - Heard melodies are sweet, but those unheard Are sweeter; therefore, ye soft pipes, play on; Not to the sensual ear, but, more endear'd, Pipe to the spirit ditties of no tone...
Страница 639 - Who are these coming to the sacrifice? To what green altar, O mysterious priest, Lead'st thou that heifer lowing at the skies, And all her silken flanks with garlands drest? What little town by river or sea shore, Or mountain-built with peaceful citadel, Is emptied of this folk, this pious morn? And, little town, thy streets for evermore Will silent be; and not a soul to tell Why thou art desolate, can e'er return.
Страница 639 - Attic shape! Fair attitude! with brede Of marble men and maidens overwrought, With forest branches and the trodden weed; Thou, silent form, dost tease us out of thought As doth eternity: Cold Pastoral! When old age shall this generation waste, Thou shalt remain, in midst of other woe Than ours, a friend to man, to whom thou say'st, "Beauty is truth, truth beauty," — that is all Ye know on earth, and all ye need to know.
Страница 638 - Sylvan historian, who canst thus express A flowery tale more sweetly than our rhyme: What leaf-fring'd legend haunts about thy shape Of deities or mortals, or of both, In Tempe or the dales of Arcady ? What men or gods are these? What maidens loth? What mad pursuit? What struggle to escape? What pipes and timbrels? What wild ecstasy?
Страница 638 - Fair youth, beneath the trees, thou canst not leave Thy song, nor ever can those trees be bare; Bold Lover, never, never canst thou kiss Though winning near the goal— yet, do not grieve; She cannot fade, though thou hast not thy bliss, For ever wilt thou love, and she be fair!
Страница 218 - He walks th* impalpable and pathless sky : The rich luxuriance of his hair, confined In graceful ringlets, wantons on the wind, That lifts in sport his mantle's drooping fold. Proud to display that form of faultless mould.
Страница 547 - Raphael's gusto was only in expression ; he had no idea of the character of anything but the human form. The dryness and poverty of his style in other respects is a phenomenon in the art. His trees are like sprigs of grass stuck in a book of botanical specimens.
Страница 131 - Olives, the whole multitude of the disciples began to rejoice and praise God with a loud voice for all the mighty works which they had seen; saying, ' Blessed is the King that cometh in the name of the Lord: peace in heaven, and glory in the highest.