The Songs of Robert BurnsDonald Low Routledge, 16. 8. 2005. - 976 страница In this definitive work for our generation, Donald Low brings together, for the first time, the words and tunes of all Burns' known songs, both `polite' and bawdy. |
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Donald Low. Burns. in. Ayrshire. During his early years in Ayrshire, Burns became thoroughly familiar with at least one printed song collection. In his autobiographical letter to Dr John Moore of August 1787 he refers to the delight he took ...
Donald Low. Burns. in. Ayrshire. During his early years in Ayrshire, Burns became thoroughly familiar with at least one printed song collection. In his autobiographical letter to Dr John Moore of August 1787 he refers to the delight he took ...
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... early date , When I was beardless , young an ' blate , An ' first could thrash the barn ; Or haud a yokin at the pleugh , An ' tho ' forfoughten sair eneugh , Yet unco proud to learn ; When first amang the yellow corn A man I reckon'd ...
... early date , When I was beardless , young an ' blate , An ' first could thrash the barn ; Or haud a yokin at the pleugh , An ' tho ' forfoughten sair eneugh , Yet unco proud to learn ; When first amang the yellow corn A man I reckon'd ...
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... early in the creative process , their tunes being chosen later . But Burns lived and breathed traditional Scots airs . It was entirely natural for him to have a particular melody in mind virtually from the beginning , either before or ...
... early in the creative process , their tunes being chosen later . But Burns lived and breathed traditional Scots airs . It was entirely natural for him to have a particular melody in mind virtually from the beginning , either before or ...
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... early date Burns felt confident enough to detect an error of taste caused by over - genteel standardizing treatment of traditional material . In due course , he would work with George Thomson , whose approach was very often compromised ...
... early date Burns felt confident enough to detect an error of taste caused by over - genteel standardizing treatment of traditional material . In due course , he would work with George Thomson , whose approach was very often compromised ...
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... come about that between the early summer and late autumn of 1787 he was an eager tourist in his own land , visiting with different travelling companions first the Borders and then , on The question of how much Burns contributed to the song.
... come about that between the early summer and late autumn of 1787 he was an eager tourist in his own land , visiting with different travelling companions first the Borders and then , on The question of how much Burns contributed to the song.
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Alexander Cunningham Amang auld lang syne ballad blaw blythe bonie lass braes braw burn stream Burns sent Burns wrote Burns's ca'd Caledonian Pocket Companion cauld charms Chorus Collection David Herd dear dearie e'en e'er Edinburgh fair flowers frae George Thomson glen green gude hame Hastie heart Herd's Highland Highland laddie ilka J. G. Lockhart Jacobite Jean John Johnie Johnson Kinsley kiss laddie Lady lassie Letter lo'e mair Mary Mauchline maun melody morning Museum ne'er never night Notes o'er Poems poet Reels Robert Burns sang Scotland Scots Musical Museum Scottish siller sing stanza Stenhouse sweet Tam Lin thee There's thou thro traditional song Tune verses weary wee thing weel wife Willie words written ye go ye'll young