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" In words, as fashions, the same rule will hold; Alike fantastic, if too new, or old: Be not the first by whom the new are tried, Nor yet the last to lay the old aside. "
Specimens of the British poets - Страница 14
написао/ла British poets - 1809
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Blackwood's Edinburgh Magazine, Том 57

1845 - 816 страница
...another striking instance of sliding, unconsciously, fruui critic to poet. " But most by numbers judge a poet's song, And smooth or rough, with them is right or wrong : In the bright muse, though thousand charms conspire, Her voice is all these tuneful fools admire ; Who haunt Parnassus but to...
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Blackwood's Edinburgh Magazine, Том 57

1845 - 842 страница
...another striking instance of sliding, unconsciously, from critic to poet. " But most by numbers judge a poet's song, And smooth or rough, with them is right or wrong : In the bright muse, though thousand charms conspire, Her voice is all these tuneful fools admire ; Who haunt Parnassus but to...
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Specimens of the British Critics

John Wilson - 1846 - 360 страница
...another striking instance of sliding, unconsciously, from critic to poet. " But most by numbers judge a poet's song, .. . And smooth or rough, with them is right or wrong; In the bright muse, though thousand charms conspire, Her voice is all these tuneful fools admire; Who haunt Parnassus but to please...
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The works of Alexander Pope, with notes and illustrations, by himself ..., Том 2

Alexander Pope - 1847 - 488 страница
...first by whom the new are try'd, 335 Nor yet the last to lay the old aside. But most by Numbers judge a Poet's song, And smooth or rough, with them, is right or wrong : In the bright Muse, tho' thousand charms conspire, Her voice is all these tuneful fools admire ; 340 Who haunt Parnassus...
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Analytical Grammar of the English Language, Embracing the Introductive and ...

Dyer Hook Sanborn - 1848 - 300 страница
...other can." — cowper. " In words as in fashions, the same rule will hold, alike fantastic, if too new or old ; Be not the first by whom the new are tried, nor yet the last to lay the old aside."— pope. PART II. ETYMOLOGY. When a scholar commences the study of Grammar, it is intended...
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The poetical works of Alexander Pope. Revised and arranged expressly for the ...

Alexander Pope, William Charles Macready - 1849 - 646 страница
...grandsires, in their doublets drest. In words, as fashions, the same rule will hold ; Alike fantastic, if too new, or old : Be not the first by whom the new are...the last to lay the old aside. But most by numbers judge a poet's song, And smooth or rough, with them, is right or wrong i : In the bright Muse, though...
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The Philosophy of Rhetoric

George Campbell - 1849 - 472 страница
...barbarism is extremely good. " In words, as fashions, the same rule will hold — Alike fantastic if too new or old : Be not the first by whom the new are tried, Nor yet the last to lay the old aside."* PART III. By the Use of Good Words new-modelled. The third species of barbarism is that...
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Remains of William S. Graham: With a Memoir...

William Sloan Graham - 1849 - 292 страница
...Pope, also, the great master of "smooth" rhythm, taught the same doctrine, " But most by numbers judge a poet's song, And smooth or rough with them is right or wrong ; In the bright muse, though thousand charms conspire, Her voice is all these tuneful fools admire." "Pis plain, the poet agrees...
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The Poetry and Poets of Britain: From Chaucer to Tennyson ; with ...

Daniel Scrymgeour - 1850 - 596 страница
...their sense ; * • * * ' In words, as fashions, the same rnle will hold ; Alike fantastie, if too new, or old : Be not the first by whom the new are tried, Nor yet the last to lay the old aside. Bnt most by nnmbers jndge a poet's song, And smooth or rongh, with them, is right or wrong...
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Guy's new speaker, selections of poetry and prose from the best writers in ...

Joseph Guy - 1852 - 458 страница
...in their doublets dress'd. In words, as fashions, the same rule will hold ; Alike fantastic, if too new, or old. Be not the first by whom the new are...the last to lay the old aside. But most by numbers judge a poet's song, And smooth or rough, with them, is right or wrong ; In the bright Muse though...
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