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" The body lies on its side, the limbs a little drawn up; the hands are delicate and fine, — they are not locked, but crossed at the wrists: the arms are stretched out, The drapery is beautifully modelled, and modestly covers the limbs. The head is enveloped... "
The Churchman's companion - Страница 346
1873
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Walks in Rome, Том 2

Augustus John Cuthbert Hare - 1900 - 380 страница
...was not beheaded, but wounded in the throat — a gold circlet conceals the wound. In the statue ' the body lies on its side, the limbs a little drawn...statue of a lady, perfect in form, and affecting from tilt; resemblance to reality in the drapery of the white marble, and the unspotted appearance of the...
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Music: A Monthly Magazine, Devoted to the Art, Science, Technic and ..., Том 17

William Smythe Babcock Mathews - 1900 - 788 страница
...executed the beautiful and celebrated statue of St. Cecilia which Sir Charles Bell describes thus : "The body lies on its side, the limbs a little drawn...and fine, they are not locked, but crossed at the wrist, the arms are stretched out. The drapery is beautifully modeled, and modestly covers the limbs....
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The Tale of the Man of Lawe, the Pardoneres Tale, the Second Nonnes Tale ...

Geoffrey Chaucer - 1904 - 352 страница
...intended to commemorate the attitude in which she was found. It is thus described by Sir Charles Bell: — "The body lies on its side, the limbs a little drawn...beautifully modelled, and modestly covers the limbs. The head is enveloped in linen, but the general form is seen, and the artist has contrived to convey...
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Walks in Rome (including Tivoli, Frascati, and Albano)

Augustus John Cuthbert Hare - 1913 - 800 страница
...Charlee III. and Urban VI., p. 79, St. C. Baddeley, 1894. (Heinemann & Co.) the arms are stretched ont. The drapery is beautifully modelled, and modestly covers the limbs. ... It Is the statue oí a lady, perfect in form, and affecting Irom the resemblance to reality in the drapery of the white...
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Walks in Rome

Augustus J. C. Hare - 2005 - 517 страница
...circlet conceals the wound. In the statue ' the body lies on its side, the limbs a little drawn ap ; the hands are delicate and fine — they are not locked,...from the resemblance to reality in the drapery of the white marble, and the unspotted appearance of the statue altogether. It lies as no living body...
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